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Topic: E Raise & Lower Knee Levers |
Brian Hollands
From: Geneva, FL USA
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Posted 19 Mar 2018 11:45 am
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I'm restoring an LDG and trying to decide where to put the E raise and lower knee levers.
Seems the standard sho-bud practice was to put them on opposite knees but that doesn't make sense to me as you'd never use them together. Maybe going from one to the other?
Tom Bradshaw's book says to put them both on the right knee as he feels that's easier since the left foot is working the pedals. That makes sense but I don't know any better.
Any opinions about having them both on the right vs. the left knee? _________________ '81 Sho-bud LDG, 2 EMCI's
Last edited by Brian Hollands on 19 Mar 2018 1:26 pm; edited 1 time in total |
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Todd Blair
From: Richmond Virginia, USA
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Posted 19 Mar 2018 12:02 pm
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I like having the raise on LKL, and have gotten used to the lower on RKL (Sho-Bud). It takes some practice to not adjust the volume pedal, when lowering the Es with the right knee, though. I had one PSG where the lower and raise levers were on the right knee, and that took a little more adjustment for me. _________________ Sho~Bud Pro III Custom,Rickenbacker 330, G&L ASAT Special. |
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Brian Hollands
From: Geneva, FL USA
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Posted 19 Mar 2018 12:43 pm
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Thinking through it a bit more, I could see wanting to sharpen the first string and flatten the 2nd at the same time so maybe having them on opposite knees isn't a bad idea. _________________ '81 Sho-bud LDG, 2 EMCI's |
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Dave Meis
From: Olympic Peninsula, Washington, USA
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Posted 19 Mar 2018 1:26 pm
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I like having them on the right, but that's how I learned a 'while' back. It's true you NEVER use them together, so having them on the same side makes sense to me. If I were to split them, I'd definitely put the raise on the left, but I find I use the other 2 with both raises and lowers, so the same knee for me, and that's the right knee. |
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James Collett
From: San Dimas, CA
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Posted 19 Mar 2018 2:13 pm
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I can't tell you why that's the standard Sho-Bud setup, but I can tell you that with the A pedal + E raise major chord, if you alternate between raising and lowering the E strings, you get the same chord motion as with rocking the A pedal while holding down B. It's nice to have that motion in an alternate position, and it's hard--or maybe even impossible--to do smoothly when both E changes are on one knee. _________________ James Collett |
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Paul Sutherland
From: Placerville, California
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Posted 19 Mar 2018 3:04 pm
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I have the E raise on the left knee and the E lower on the right knee. I take advantage of that setup frequently in my playing. I often play the A floor pedal and the E lower together, and that's harder to do if the E lower is on the left knee. I also often go rapidly from the E raise to the E lower, and vice versa, which works better when they are on opposite knees. Also, I like to use the left knee vertical to lower the B to Bb, and at the same time lower the Es, which is easier if the E lower is on the right knee. _________________ It don't mean a thing if it ain't got that swing. |
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Ian Rae
From: Redditch, England
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Posted 19 Mar 2018 3:45 pm
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Same here with all of that. _________________ Make sleeping dogs tell the truth!
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs |
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Jeff Mead
From: London, England
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Posted 19 Mar 2018 3:58 pm
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I don't know if the LDG guitars were set up the way Lloyd used them (I suspect not) but he had is E raise on LKR (very unusual on Emmons setup) and only lowered his low E, not both. |
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Jeremy Threlfall
From: now in Western Australia
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Jeffrey McFadden
From: Missouri, USA
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Posted 19 Mar 2018 7:31 pm
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As a rank beginner I moved those levers to my right leg because of Tom Bradshaw's book.
Personally I am not able to control my volume pedal while moving knee levers with the same knee. I can mash pedals and do knee levers (left knee) but I can't subtly control volume and do knee levers (right knee.) I moved them back. _________________ Well up into mediocrity
I don't play what I'm supposed to.
Home made guitars |
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Bobby D. Jones
From: West Virginia, USA
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Posted 19 Mar 2018 7:42 pm E Raise & lower knee levers.
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The only thing I would suggest is, IF you put both of them on the Left knee, (Emmons set up), put the Raise (F)lever on LKL so for the, A pedal & (F)Raise lever slide up 3 frets for same major chord. And Lower (D) on LKR. By Pushing down B pedal Lowering Strings 4&8 (D) knee lever for a 7th chord. Comes down to rolling your foot on the pedal and engaging the knee lever in one motion.
I sat down at a new players guitar that the knee levers was opposite the pedal used normally with. And it was impossible to engage knee levers without putting pressure on the wrong pedal.
Then he said,"A friend and him had changed the A&C pedals. (From Day to Emmons) Before it was over I changed and tuned his knee levers for him.
He was a happy camper. |
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Brian Hollands
From: Geneva, FL USA
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Posted 20 Mar 2018 10:14 am
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Still mulling it over but this reinforces putting the E raise on LKL which I'd already thought made good sense. I'll probably have to try the E lower a couple of ways.
Thanks for the opinions. _________________ '81 Sho-bud LDG, 2 EMCI's |
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Paul Sutherland
From: Placerville, California
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Posted 20 Mar 2018 10:18 am
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If your floor pedals are the Emmons configuration you want the E raise lever on LKL. If your pedals are the Day configuration you want the E raise lever on LKR. _________________ It don't mean a thing if it ain't got that swing. |
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Jeffrey McFadden
From: Missouri, USA
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Posted 20 Mar 2018 10:45 am
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Paul Sutherland wrote: |
If your floor pedals are the Emmons configuration you want the E raise lever on LKL. If your pedals are the Day configuration you want the E raise lever on LKR. |
This is an excellent observation. Having swapped my pedals from Day to Emmons I understand what he's getting at, except I use E lower with A pedal more often than E raise (so far: just learning) to run scale melody lines, so I still have the lower on the left. Just running direct, 5-6-7-8-9-10 notes (based on no-pedal root) or vice versa using pedals, levers, and string choices. _________________ Well up into mediocrity
I don't play what I'm supposed to.
Home made guitars |
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Brian Hollands
From: Geneva, FL USA
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Posted 20 Mar 2018 11:00 am
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Yes, it's Emmons. _________________ '81 Sho-bud LDG, 2 EMCI's |
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Dave Campbell
From: Nova Scotia, Canada
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Posted 20 Mar 2018 12:07 pm
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my ldg raises Es with LKL and lowers with LKR. i like this because all the most used combinations happen with the left leg (pedals and knees). whenever i've played a guitar with the E's lowering with the right leg, it always trips up my volume pedal playing. doing both with the right leg seems impossible to me, but then again, so did playing pedal steel a few years ago. |
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Craig A Davidson
From: Wisconsin Rapids, Wisconsin USA
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Posted 21 Mar 2018 4:32 am
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Jeff Mead wrote: |
I don't know if the LDG guitars were set up the way Lloyd used them (I suspect not) but he had is E raise on LKR (very unusual on Emmons setup) and only lowered his low E, not both. |
Lloyd has stated in a couple other threads that at the time he added the change that was the only knee left to put it on. It didn't seem to hurt his playing. |
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Douglas Schuch
From: Valencia, Philippines
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Posted 21 Mar 2018 5:09 am
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A number of years ago there was a long thread about this topic that included the opinions of Paul Franklin and Buddy Emmons. The specific situation is where you want to go directly from the Eb to the F. This is easy if you have the levers that raise and lower E's on different knees, as Paul does. Buddy, of course, could make it work with them both on the same Knee, but most of us probably could not. It's worth reading if I (or someone else) can find it. A quick search did not turn it up, but I will keep looking. _________________ Bringing steel guitar to the bukid of Negros Oriental! |
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Dave Mudgett
From: Central Pennsylvania and Gallatin, Tennessee
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Posted 21 Mar 2018 5:21 am
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Standard Sho Bud practice indeed was to put E=>F on LKL and E=>Eb on RKL. To 'restore' it to original, that would be the normal configuration.
Anyone contemplating how to configure the E=>F and E=>Eb levers should read this thread: https://steelguitarforum.com/Forum5/HTML/007769-2.html
There, Buddy Emmons, Paul Franklin, and some other pretty sharp people discussed the relative advantages and disadvantages, and made quite a number of penetrating insights about the tradeoffs involved in E9 pedal steel setups in general. I think that discussion is pretty much one-stop-shopping on this topic, but there are lots of threads about this over a period of at least 15 years.
I said anything I could reasonably say on this thread - https://bb.steelguitarforum.com/viewtopic.php?t=150471
The only thing I would probably recommend you avoid is to put E=>F on LKR on an Emmons ABC pedal setup. Yes, I realize Lloyd does it, but the rest of us mere mortals are not Lloyd. Just fiddling around with a guitar several years back, I tried that. About like to have twisted my left leg off. YMMV and all that.
Last edited by Dave Mudgett on 21 Mar 2018 5:24 am; edited 1 time in total |
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Ian Rae
From: Redditch, England
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Posted 21 Mar 2018 5:23 am
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I'm one of the many who has them on separate knees because I'm not Buddy Emmons. No other reason required _________________ Make sleeping dogs tell the truth!
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs |
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Jack Hargraves
From: Missouri, USA
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Posted 21 Mar 2018 7:27 am
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I have my E raise on LKL and my E lower on LKR. I couldn't use it any other way. _________________ GFI Expo SD10, Nashville 112, Steelers choice Pak-a- seat, Carter vol. pedal, Stage one vol. pedal, Peavey Deltafex. Goodrich volume pedal. |
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Brian Hollands
From: Geneva, FL USA
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Posted 21 Mar 2018 11:38 am
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Thanks for those links - both are interesting and the Paul F. / Buddy one entertaining too.
The only conclusion I can come to is that the E raise will go LKL (emmons pedals) and the E lower will likely be put in at least two spots before I settle on anything.
I'm thinking I'll start with the lower on RKL conceding that Shot and his boys did actually know what they were doing
If my thighs are thick enough, I'll try out Buddy's slide the knee forward enough to go smoothly from LKL to LKR trick too.
All the advice is much appreciated. Thanks _________________ '81 Sho-bud LDG, 2 EMCI's |
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Pete Bailey
From: Seattle, WA
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Posted 21 Mar 2018 11:40 am
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Thanks for those links Dave, that early thread with Paul and Buddy is just gold.
Is the takeaway from that discussion
Same Knee = More Options In Combination With Other Knee Levers
vs.
Opposite Knees = Ease Of Whole Tone Movement on Strings 5&10
or is that too much of an oversimplification? |
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Douglas Schuch
From: Valencia, Philippines
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Posted 21 Mar 2018 1:48 pm
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Dave - thanks for posting the thread I mentioned - I did not remember that it was from the old forum - I was searching in the wrong place!
After reading that a number of years ago, I considered switching my E-lowers to RKL - but after contemplating how much retraining it would take, I never did. At this point, I'm probably stuck with what I've got (both on LK). _________________ Bringing steel guitar to the bukid of Negros Oriental! |
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Ian Rae
From: Redditch, England
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Posted 21 Mar 2018 1:56 pm
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Pete Bailey wrote: |
Same Knee = More Options In Combination With Other Knee Levers
vs.
Opposite Knees = Ease Of Whole Tone Movement on Strings 5&10
or is that too much of an oversimplification? |
No, it's about right.
and Douglas Schuch wrote: |
I'm probably stuck with what I've got (both on LK). |
Maybe, but you're in a majority of contented people _________________ Make sleeping dogs tell the truth!
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs |
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