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Author Topic:  12-string guitar recommendations?
Roger Rettig


From:
Naples, FL
Post  Posted 15 Feb 2018 7:57 am    
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I have just found out that I'll need a 12-string acoustic guitar for an upcoming show ('Mamma Mia').

Has anybody got a recommendation for a low-priced but adequate instrument? I don't care for them so I want to spend as little as I can get away with. It would probably go to the back of the closet once the contract's finished.

Any ideas, please?
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Roger Rettig: Emmons D10, B-bender Teles and Martins - and, at last, a Gibson Super 400!
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Bill McCloskey

 

Post  Posted 15 Feb 2018 8:22 am    
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I have a fantastic Martin D28 12 string from 1972. Amazing action and pickup installed. Let me know if you are interested.
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Richard Smelker


From:
Winters.Texas, USA
Post  Posted 15 Feb 2018 9:39 am    
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I have a Luna Trinity 12 string that has beautiful tone and sounds great amplified. If you look at Musicians friend they have models from $250 to the $600 range. My trinity model plays like butter. nice small neck and stays in tune (it has a built in tuner). The trinity model was about $450 when I bought it.
Just my opinion and my 2 cents!
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Richard Smelker
assorted 6 & 12 string guitars, a Pedalmaster D10 8+5 to play on, a Roland Cube 80Xl, a Peavey 130, Digitech digital Delay, distortion pedal, Melotron pedal, Keyboards and a MOYO pedal.
A new DAW system that I'm using to create a Christian music CD of original songs. Ordained Minister, Riding for the Brand of Jesus Christ.
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David Gertschen

 

From:
Phoenix, Arizona
Post  Posted 15 Feb 2018 10:29 am    
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I have had several Takamine 12 strings over the years. Real nice quality for a budget acoustic.

Musician's Friend has some open box items for $399.

Or you could search your local craig's list; as I have seen them around $200 range often.

You cannot even touch a Martin for that kind of money!

http://www.musiciansfriend.com/guitars/takamine-g-series-gd30ce-12-dreadnought-12-string-acoustic-electric-guitar
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Ken Pippus


From:
Langford, BC, Canada
Post  Posted 15 Feb 2018 10:53 am    
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Check Craigslist for an old Ovation. Often available, somewhat indestructible except for the predictable top cracks. Sometimes a Piezo and prehistoric preamp. And don't pay much.
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Roger Rettig


From:
Naples, FL
Post  Posted 15 Feb 2018 3:43 pm    
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Richard:

Thanks - I see there's a Luna that sells for $199! Exactly what I'm looking for.

Bill:

I'm sure your Martin is very nice - will you take $199 for it? Smile

Thanks, everyone.
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Roger Rettig: Emmons D10, B-bender Teles and Martins - and, at last, a Gibson Super 400!
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ajm

 

From:
Los Angeles
Post  Posted 16 Feb 2018 8:50 am    
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Here is my "alt-recommendation".

Do a search for a pedal called a Digitech Mosaic.
There are a few YT videos.

I needed a 12 string for a song that I was recording a while back.
A friend lent me his cheap Danelectro.
Despite playing a 6 string for decades, try as I might I never did get comfortable with the 12.
I finally gave up and used a chorus.

Give the Mosaic a look.
Before you get one, make sure that it works with whatever guitar type (electric or acoustic) you are going to be using with it.
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Barry Blackwood


Post  Posted 16 Feb 2018 9:06 am    
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Quote:
Give the Mosaic a look.
Before you get one, make sure that it works with whatever guitar type (electric or acoustic) you are going to be using with it.

Indeed. IMO the Mosaic seems the least troublesome approach..
https://reverb.com/p/digitech-mosaic?gclid=CjwKCAiAn5rUBRA3EiwAUCWb21XYBZqg2p7B1BGQY0K0QCDPrCsvVs62sLLfDRS2ejVZdJKYWXmBQRoCKJQQAvD_BwE&hfid=868446
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Joachim Kettner


From:
Germany
Post  Posted 16 Feb 2018 9:19 am    
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Quote:
I finally gave up and used a chorus

The success of the Chorus, back in the late seventies, had to do with making a six- string sound almost like a twelve- string .
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Roger Rettig


From:
Naples, FL
Post  Posted 16 Feb 2018 9:24 am    
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Nice idea, chaps, but the Music Director will expect me to turn up with all the instruments that the 'book' calls for.
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Roger Rettig: Emmons D10, B-bender Teles and Martins - and, at last, a Gibson Super 400!
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Joachim Kettner


From:
Germany
Post  Posted 16 Feb 2018 9:44 am    
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Roger you would really make an impression with this one.


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Godfrey Arthur

 

From:
3rd Rock
Post  Posted 1 Mar 2018 8:28 pm    
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Thing about 12's is if fingering them is comfortable for you. Some are easier to fret than others, like a Taylor.

You would have to demo the lower budget ones to see if you don't get cramps playing them after a few minutes or if they stay in tune enough through a few tunes.

They are not all created equal.
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Roger Rettig


From:
Naples, FL
Post  Posted 1 Mar 2018 8:42 pm    
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I saw one of those '80s Takamine 'lawsuit' 12-strings on Reverb. Probably a decent guitar - the 6-strings were terrific.
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Roger Rettig: Emmons D10, B-bender Teles and Martins - and, at last, a Gibson Super 400!
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Fred Treece


From:
California, USA
Post  Posted 2 Mar 2018 12:10 am    
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Godfrey Arthur wrote:
Thing about 12's is if fingering them is comfortable for you. Some are easier to fret than others, like a Taylor.

You would have to demo the lower budget ones to see if you don't get cramps playing them after a few minutes or if they stay in tune enough through a few tunes.

They are not all created equal.

Those are some wise words. A poorly made 12-string will make you miserable. Takamine is a good lower end choice.
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Bob Watson


From:
Champaign, Illinois, U.S.
Post  Posted 2 Mar 2018 12:53 am    
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Roger, the $300 to $400 Fender 12 strings are nice guitars. Check one out, I'm sure they would do the trick.
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Bob Watson


From:
Champaign, Illinois, U.S.
Post  Posted 2 Mar 2018 12:54 am    
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Roger, the $300 to $400 Fender 12 strings are nice guitars. Check one out, I'm sure they would do the trick. The Takamine's are really nice, but they will cost more.
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Per Berner


From:
Skovde, Sweden
Post  Posted 8 Mar 2018 7:58 am    
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I got a brand new Takamine jumbo 12 (EG 523) for about $700 including our whopping 25% sales tax. Flame maple back and sides, solid sitka top, ebony fretboard and bridge, split saddle, a really good mic system and a built-in tuner – and it sounds really good amplified or not, plenty loud, well balanced with that elusive 12-string shimmer. Also stays in tune well.

All cheaper models that I tried at the time sounded very dull and lifeless in comparison, and were not as easy to play. And the same goes for a lot of more expensive ones! A bit of a cut-price Taylor, IMHO.

I've also got an asymmetric Brazilian Giannini 12-string, which is an absolute beast to play...but it looks cool!




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Roger Rettig


From:
Naples, FL
Post  Posted 8 Mar 2018 8:30 am    
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I still haven't pulled the trigger on a 12-string. But next week I'll have to - rehearsals start early-April.

I'm sure the Takamine is more than adequate but it's more than I want to spend. Anything I pay is money lost. I don't want a 12-string but I need one. Once the gig's over the guitar will lie in the closet. $700 is too much to ignore.

Unfortunately the score reveals that maybe 25% of the guitar book is on 12-string so comfort is a consideration. It's a dilemma.

Thanks, everyone, for your responses.
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Roger Rettig: Emmons D10, B-bender Teles and Martins - and, at last, a Gibson Super 400!
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Fred Treece


From:
California, USA
Post  Posted 8 Mar 2018 8:58 am    
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Roger Rettig wrote:
Unfortunately the score reveals that maybe 25% of the guitar book is on 12-string so comfort is a consideration. It's a dilemma.

Make sure you save up 20 bucks for a 12-string capo then. You don’t want to be playing barre chords in Eb.
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Roger Rettig


From:
Naples, FL
Post  Posted 8 Mar 2018 9:23 am    
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Good idea, Fred! Will do....
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Roger Rettig: Emmons D10, B-bender Teles and Martins - and, at last, a Gibson Super 400!
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David Mason


From:
Cambridge, MD, USA
Post  Posted 8 Mar 2018 7:44 pm    
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And a secret, hidden virtue(?): A couple of times now, I've been presented with a serious "need" for acoustic open-tuned slide guitar parts. And in both cases, I found that a cheap(ish) 12-string guitar with 6 strings on it was ideal. You can use heavy guage, like 13-56 ELECTRIC strings on it without it folding up like cardboard and it's LOUD AS HELL! - always a virtue! One was an Epiphone, one was... distant mists of time, mebbe a Fender? If the spare tuners rattle you cram in some paper or tape or something. I actually found I preferred that sound to that of a dobro, which as we all know, it's sole virtue is it's LOUD AS HE... wait a minute... reset...
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Per Berner


From:
Skovde, Sweden
Post  Posted 8 Mar 2018 11:00 pm    
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A second hand Takamine must be possible to find for... I'm guessing... 400 bucks? And it would still be worth the same when you don't need it anymore.

...Or what about just putting "Nashville Tuning" strings on a regular 6-string (= the thin strings from a 12-string set, maybe in a tad beefier gauges)? That gives you much of the 12-string sound, but clearer and even more shimmering. At no cost at all.

(A couple of years ago I built an OM-sized acoustic with separate replaceable bridge saddles, which allows for correct intonation with regular strings as well as hi-strung. Works perfectly...)
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Roger Rettig


From:
Naples, FL
Post  Posted 9 Mar 2018 5:11 am    
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I refer you to my earlier post in this thread.

The music director will expect me to turn up with all the instruments that the book calls for.
_________________
Roger Rettig: Emmons D10, B-bender Teles and Martins - and, at last, a Gibson Super 400!
----------------------------------
View user's profile Send private message Send e-mail Visit poster's website
Joachim Kettner


From:
Germany
Post  Posted 9 Mar 2018 7:51 am    
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Get the musical director drunk, Roger and he will see double strings Whoa!
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Barry Blackwood


Post  Posted 9 Mar 2018 8:24 am    
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How many nights will you have to play for nothing to pay for this (unwanted) acquisition? Sounds like it's time to head for the pawnshops....
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