| Visit Our Catalog at SteelGuitarShopper.com |

Post new topic E9 2nd string. RKR goes -1. Need -2. Legrande 3.
Reply to topic
Author Topic:  E9 2nd string. RKR goes -1. Need -2. Legrande 3.
Charles Dempsey


From:
Shongaloo, LA
Post  Posted 9 Jun 2005 7:11 pm    
Reply with quote

My Legrande 3 RKR drops D# to D. I need it to go to C#. Here's a pic.



E9 is at the top. RKR pushes a rod attached to a bellcrank on the left crossbar. There's a rod with springs and collars that goes from that bellcrank to the aluminum bracket in the middle of the pic.

Can I just tune this puppy down to C#, or do I need to do something else. I'd like to have a 1/2 stop on it for D, but I can live without that for a while.

TIA,
Charlie

[This message was edited by Charles Dempsey on 09 June 2005 at 08:15 PM.]

View user's profile Send private message Send e-mail Visit poster's website
Bobby Lee


From:
Cloverdale, California, USA
Post  Posted 9 Jun 2005 7:24 pm    
Reply with quote

The D is more important than the C#, in my opinion (for whatever that's worth these days ). I have them on separate levers, and I use the D about 5 times as often as the C#.

A half stop is fine if you can get used to it, but playing without the D would limit you quite a bit. I don't know of any major players that don't use the 2nd string D change.

------------------
Bobby Lee - email: quasar@b0b.com - gigs - CDs, Open Hearts
Williams D-12 E9, C6add9, Sierra Olympic S-12 (F Diatonic)
Sierra Laptop S-8 (E6add9), Fender Stringmaster D-8 (E13, C6 or A6)
View user's profile Send private message Visit poster's website
Larry Strawn


From:
Golden Valley, Arizona, R.I.P.
Post  Posted 9 Jun 2005 7:27 pm    
Reply with quote

Charlie,,

I'm looking at a 1/2 stop on it allready..

I tune my D# down to C#, then tune the 1/2 to D.

That liitle knurled fitting is where you tune the 1/2 stop.

If you don't have enough tention to feel the 1/2 stop, loosen the barrell fitting with an allen wrench, compress spring, and retighten, adjust untill you have the tention you want, and can feel the stop.

If I;ve missed anything, I'm sure some one will speak up.

good luck on it,

Larry

------------------
Emmons S/D-10, 3/4, Sessions 400 Ltd. Home Grown E/F Rack
"ROCKIN COUNTRY"

View user's profile Send private message Send e-mail
Charles Dempsey


From:
Shongaloo, LA
Post  Posted 9 Jun 2005 7:39 pm    
Reply with quote

b0b, I'm on Buddy Emmons "Intros and Turnarounds" page 1. "Touch My Heart". I can't get past that unless I can go to C# on E9 2nd string. I'm not a major player yet .

Larry, it's already got the 1/2 stop? Cool! I'll just futz with the hardware until I get it right .

16 minutes from Q to A. I LOVE THIS FORUM!

Yee Haw!
Charlie (staying up late on Central Time)

[This message was edited by Charles Dempsey on 10 June 2005 at 06:36 AM.]

View user's profile Send private message Send e-mail Visit poster's website
Larry Strawn


From:
Golden Valley, Arizona, R.I.P.
Post  Posted 9 Jun 2005 7:54 pm    
Reply with quote

Charlie,,

b0b is right about that D, but I use the C# pull a lot also.

Some times it takes some getting used to on that 1/2 stop, I've got mine set tighter than I really wanted, but if I loosen it up I push on through it, that aint good. LOL..

I some times have trouble tuning the 1/2 stop, it's reall touchy, I usually hold the KL over with my left hand, then reach under the guitar and tweak the knurled nut untill it comes in.

Larry

------------------
Emmons S/D-10, 3/4, Sessions 400 Ltd. Home Grown E/F Rack
"ROCKIN COUNTRY"

View user's profile Send private message Send e-mail
Bobby Bowman

 

From:
Cypress, Texas, USA, R.I.P.
Post  Posted 9 Jun 2005 8:25 pm    
Reply with quote

Charles,
There is a row of 10 allen head screws in the base of the changer block. More than likely the screw for the second string needs to be backed out a couple or so turns.
BB

------------------
If you play 'em, play 'em good!
If you build 'em, build 'em good!
http://www.bobbybowman.com

View user's profile Send private message Send e-mail Visit poster's website
Charles Dempsey


From:
Shongaloo, LA
Post  Posted 10 Jun 2005 6:02 am    
Reply with quote

I've got the D# > C# change on the RKR of my push/pull, and I'd hate to lose it. I'm going to tackle the mod this evening.

One good thing about this LeGrande is that it's got the 1st string F# > G# change. The push/pull doesn't have that at all. Unfortunately, the DPO saw fit to put it on on LKV, and have 5 and 10 B > Bb on RKL. This is absolutely the last used guitar I'm going to buy (yeah, right Smile.

Charlie

View user's profile Send private message Send e-mail Visit poster's website
Charles Dempsey


From:
Shongaloo, LA
Post  Posted 10 Jun 2005 3:20 pm    
Reply with quote

Hey guys,

It worked just like you said. I had to back off the hex screw 1/4 turn, but other than that it just dialed right in.

Thanks!
Charlie
View user's profile Send private message Send e-mail Visit poster's website
Larry Strawn


From:
Golden Valley, Arizona, R.I.P.
Post  Posted 10 Jun 2005 5:24 pm    
Reply with quote

Charlie,,

Glad to hear it worked out,,go ahead and mail our checks out...LOL.. Later friend

Larry



------------------
Emmons S/D-10, 3/4, Sessions 400 Ltd. Home Grown E/F Rack
"ROCKIN COUNTRY"

View user's profile Send private message Send e-mail
Charles Dempsey


From:
Shongaloo, LA
Post  Posted 10 Jun 2005 9:27 pm    
Reply with quote

Hey Larry,

Until April 18, 2005 I had never put my mits on a pedal steel guitar. I'd admired a few, but never touched one. Since then it seems like I wake up in a new world every day or two.

The check's in the mail Smile.

Thanks!
Charlie
View user's profile Send private message Send e-mail Visit poster's website

All times are GMT - 8 Hours
Jump to:  
Please review our Forum Rules and Policies
Our Online Catalog
Strings, CDs, instruction, and steel guitar accessories
www.SteelGuitarShopper.com

The Steel Guitar Forum
148 S. Cloverdale Blvd.
Cloverdale, CA 95425 USA

Click Here to Send a Donation

Email SteelGuitarForum@gmail.com for technical support.


BIAB Styles
Ray Price Shuffles for Band-in-a-Box
by Jim Baron