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Post new topic 2nd string D# - C# change
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Author Topic:  2nd string D# - C# change
Scott Swartz


From:
St. Louis, MO
Post  Posted 25 Apr 2005 9:35 am    
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I have my E9 2nd string change set up up for D# to D only. I don't like half stops, tried them they are not for me. So, I would like to add the D# to C# somewhere else where it wouldn't interfere with the existing change.

One that popped into my head was add it to the E to D# lever. This would use the unison D# but I never used that anyway.

Would this work? Any other good places?
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Bobby Lee


From:
Cloverdale, California, USA
Post  Posted 25 Apr 2005 11:18 am    
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Jeff Newman used it. Some people say that it makes the lever too stiff.

I almost never use the 2nd string C# without lowering my E strings. It's a natural combination, like the high D string on C6th.

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Bobby Lee - email: quasar@b0b.com - gigs - CDs, Open Hearts
Sierra SD-12 (Ext E9), Williams D-12 Crossover, Sierra S-12 (F Diatonic)
Sierra Laptop 8 (E6add9), Fender Stringmaster (E13, C6, A6)

[This message was edited by Bobby Lee on 26 April 2005 at 08:48 AM.]

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Al Marcus


From:
Cedar Springs,MI USA (deceased)
Post  Posted 25 Apr 2005 8:25 pm    
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Bobby-Do you mean the high D on C6??...

I use that a lot as my tonic note for P5 and also in conjunction with the C to B Knee Lever for a maj7th......al

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My Website..... www.cmedic.net/~almarcus/

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Larry Bell


From:
Englewood, Florida
Post  Posted 26 Apr 2005 6:08 am    
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I've been lowering the 2nd to C# on the E to D# lever for a long time. I tune my 2nd to D, so I can't comment on the D# to C# re: stiffness, but both my old Emmons and new Fessy lower both E's along with the D to C# on 2 with very little effort. I wouldn't think that lowering it one half-step further would make a big difference, but it's possible. Try it.

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Larry Bell - email: larry@larrybell.org - gigs - Home Page
2003 Fessenden S/D-12 8x8, 1969 Emmons S-12 6x6, 1971 Dobro, Standel and Peavey Amps

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Bobby Lee


From:
Cloverdale, California, USA
Post  Posted 26 Apr 2005 7:48 am    
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Um, yes Al. That was a typo. I'll correct it.

When you lower the E strings to D# on the E9th, the second string C# is similar to the D string on the C6th.
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Al Marcus


From:
Cedar Springs,MI USA (deceased)
Post  Posted 26 Apr 2005 5:58 pm    
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As Larry Bell says, it is Logical to put the D# to C# pull on the lever that flats the E"s. Especially on the B6 side as well as E9. It is a little stiff but worth it...al

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My Website..... www.cmedic.net/~almarcus/

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richard burton


From:
Britain
Post  Posted 26 Apr 2005 10:13 pm    
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I like the unison effect on strings 2 and 4 (handy for playing the first bit of the 'Look at us' solo, etc), when the E's are lowered.
These unison notes would be lost if string 2 was lowered along with string 4.
R B
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Tony Prior


From:
Charlotte NC
Post  Posted 27 Apr 2005 2:16 am    
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Many things would be lost..but if we are not playing them then I guess nothing is lost.

My feeling is that it is there for a reason, to gain the most flexibility from the Instrument.

there are a few phrases that I play that have the 2nd string 1/2 tone lowered and I rock off the A Pedal..I'm not sure I am physically capable of playing that phrase lowering the 2nd 1/2 step with the LKR while rocking the outside A pedal.

I think the answer is to mechancally get the 2nd string lower stiff enough where you can feel it and take most of the guess work out.

I recently spoke with John Fabian about this exact same issue and he advised on how to
stiffin' up the half stop...

It's kinda like trying to find a quick and simple way to play the difficult things, which at the end of the day there is just one way, practice.

I too don't like the half stop and I am using it more and more these days but the answer for me is not to change the guitar but rather get the player ( me) to do something

It is foreign but if ya think about it the whole stinkin' Instrument is foreign !

happy half stop

t


<

[This message was edited by Tony Prior on 27 April 2005 at 03:19 AM.]

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Glenn Suchan

 

From:
Austin, Texas
Post  Posted 27 Apr 2005 9:01 am    
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Scott,

On one of my guitars I had that change on the LKV along with the forth string raise E to F# and seventh string raise F# to G.

Keep on pickin'!
Glenn

[This message was edited by Glenn Suchan on 27 April 2005 at 10:07 AM.]

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Glenn Suchan

 

From:
Austin, Texas
Post  Posted 27 Apr 2005 9:07 am    
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OOOPPS! Double posted...my bad.

[This message was edited by Glenn Suchan on 27 April 2005 at 10:10 AM.]

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