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Post new topic B String lower a whole tone - question....
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Author Topic:  B String lower a whole tone - question....
Matt Elsen

 

From:
Deer Harbor, Orcas Island, WA
Post  Posted 20 Mar 2005 1:33 pm    
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I see that a number of players are using a whole tone lower on their 5th (B) string on their E9th tuning,

Is this change best effected on a knee lever that does nothing else (a knee lever that is solely dedicated to this change) - or can it be effectively used on the same lever that drops your 5th & 10th string a half-tone? Another words, can you use a feel-stop on the 5th string to go from your B to a Bb and then down to the A?

Are there musical or mechanical advantages/disadvantages in doing it one way or the other (other than the obvious need to install separate knee levers to do it separately)?

Any insight appreciated.

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Drew Howard


From:
48854
Post  Posted 20 Mar 2005 3:46 pm    
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Tommy White lowers both B's on a knee lever and has a half-stop on the 6th string to get the Bb.

I lower both B's to A on pedal 4 and use it with and w/o G#>F# lower. But I'm going to add Tommy White's changes to my 12 string I have on order.

A real modern change, IMO.

cheers,
Drew

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Drew Howard - website - Fessy D-10 8/8, Magnatone S-8, N400's, BOSS RV-3

[This message was edited by Drew Howard on 20 March 2005 at 04:13 PM.]

[This message was edited by Drew Howard on 20 March 2005 at 04:14 PM.]

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Al Marcus


From:
Cedar Springs,MI USA (deceased)
Post  Posted 20 Mar 2005 5:25 pm    
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Drew-Yes it is a modern change and can be used so effectively. Mine is on a knee lever.....al

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My Website..... www.cmedic.net/~almarcus/

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Larry Bell


From:
Englewood, Florida
Post  Posted 20 Mar 2005 6:31 pm    
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Hey, my old Michigan buddies.

Tommy White's usage of 'splitting the Franklin Pedal' has convinced me to split it myself. I plan to do like Drew and lower 5 and 10 (9 in my case) on a pedal (it's the 0 pedal to the left of the A pedal). That pedal currently has the Franklin changes on it. I already lower G#s to G on a knee lever so I'll just tune them to F# and split with the B pedal. That way I can have G# to G and F# AND B to A without really losing anything (or having to add a lever).

Musically logical. I like that.

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Larry Bell - email: larry@larrybell.org - gigs - Home Page
2003 Fessenden S/D-12 8x8, 1969 Emmons S-12 6x6, 1971 Dobro, Standel and Peavey Amps

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Drew Howard


From:
48854
Post  Posted 21 Mar 2005 8:13 am    
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Larry and Al,

Good to hear from you!

Another thing that I like about Tommy White's B lowers is that one sets up a half-stop for the other like the 2nd and 9th strings do.

cheers,
Drew

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Drew Howard - website - Fessy D-10 8/8, Magnatone S-8, N400's, BOSS RV-3

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