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Author Topic:  Keeping Intonation While Singing
Frank Agliata


From:
Jersey Shore, USA
Post  Posted 4 Nov 2016 11:03 am    
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I've recently started playing with a new group, on guitar and pedal steel. It has been brought to my attention that my PSG intonation suffers a bit when I'm doing my background singing part. Now I am an experienced guitarist/bassist and have no problem playing and singing otherwise. But I guess, still being pretty much a novice on the steel, it is challenging to focus on my playing and adequately sing a harmony line as well. I'm sure given enough repetition, I will eventually get the hang of this, but in the meantime it's a cause of concern to my band mates.
I am appealing to my experienced and knowledgable forum friends for any advice or tips they may have to get me past this . . Sad
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Erv Niehaus


From:
Litchfield, MN, USA
Post  Posted 4 Nov 2016 11:30 am    
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If you can succeed in this, you are a better man than me! I find it almost impossible to sing while playing a steel guitar.
But then, I have trouble walking and chewing gum at the same time! Whoa!
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Skip Edwards

 

From:
LA,CA
Post  Posted 4 Nov 2016 1:05 pm    
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I'm not a singer, so I can't speak from experience, but I have worked with those who play steel and sing, and do it very well.
The solution seems to be deceptively simple.

Don't play while you're singing, and don't sing while you're playing.
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Donny Hinson

 

From:
Glen Burnie, Md. U.S.A.
Post  Posted 4 Nov 2016 1:47 pm     Re: Keeping Intonation While Singing
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Frank Agliata wrote:
It has been brought to my attention that my PSG intonation suffers a bit when I'm doing my background singing part...But I guess, still being pretty much a novice on the steel, it is challenging to focus on my playing and adequately sing a harmony line as well. I'm sure given enough repetition, I will eventually get the hang of this, but in the meantime it's a cause of concern to my band mates.


Do one or the other. While there are a very few that could pull this off (Buddy Emmons and Mark Bright come to mind), there are many more (myself included) that try, and wind up with the steel playing, the singing, and the audience...all suffering. I know players who have told me "Such-and-such does a great job singing and playing pedal steel at the same time!" And I just try to smile and be nice. Oh Well (I"m trying to get over being called "brutally honest".) Laughing
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Barry Blackwood


Post  Posted 4 Nov 2016 2:09 pm    
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Quote:
Don't play while you're singing, and don't sing while you're playing.

What Skip says..
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John Booth


From:
Columbus Ohio, USA
Post  Posted 4 Nov 2016 2:58 pm    
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I dunno guys, I had a problem with this initially and got over it pretty well.
Main thing is don't experiment on the steel while you're singing. Just play very familiar stuff while singing. It'll get better like everything else
Jb
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Allan Haley

 

From:
British Columbia, Canada
Post  Posted 4 Nov 2016 4:08 pm    
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I can't sing when I'm trying to play steel. I can only do three things at once.
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Ben Lawson

 

From:
Brooksville Florida
Post  Posted 4 Nov 2016 4:29 pm    
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I used to be able to sing and play together but I don't sing much anymore. If I may boast just a bit, at one of the Larry Self steel shows in Debary Fl. the great Herby Wallace complimented me when I sang while playing "Night Life". He told me I hit the right notes singing and played all the steel fills while singing. That made my day. That was in the early 90's when I was playing seven nights a week between Church Street Station in Orlando and The Barn in Sanford Fl. It ain't happening anymore. Okay I'm done patting myself on the back.
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Frank Agliata


From:
Jersey Shore, USA
Post  Posted 4 Nov 2016 4:53 pm    
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Thanks for the input fella's. Yes, I may be biting off more than I can chew. But I'm not playing anything too complicated. Usually just chord changes with simple fills.
I believe I will eventually get comfortable enough with it to make it work. But still, I don't wan't to embarrass myself or the band when we play out. The steel is a beautiful instrument, but very unforgiving if you don't get it spot on. Confused
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Storm Rosson

 

From:
Silver City, NM. USA
Post  Posted 4 Nov 2016 5:36 pm    
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I don't know if anyone knows Billy Poteet but he is a chosen one too. Played an Emmons and sang like Ray Price's doppelganger, I mean Billy is as awesome playing psg as he is a vocalist. I know some guys on here know Billy cause they asked if I knew him...maybe someone will chime in...Stormy
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Don Barnhardt

 

From:
North Carolina, USA
Post  Posted 4 Nov 2016 5:40 pm    
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When you're actually singing just comp (chop chords etc.) It's damn near impossible play precisely and sing at the same time.
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Scott Duckworth


From:
Etowah, TN Western Foothills of the Smokies
Post  Posted 4 Nov 2016 5:43 pm    
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Don Barnhardt wrote:
When you're actually singing just comp (chop chords etc.) It's damn near impossible play precisely and sing at the same time.


That's what I did last year while playing Christmas music...
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Glenn Demichele


From:
(20mi N of) Chicago Illinois, USA
Post  Posted 4 Nov 2016 7:11 pm    
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I can do both, my rule: never move my bar and mouth at the same time:
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Bryan Bradfield


From:
Lethbridge, Alberta, Canada.
Post  Posted 7 Nov 2016 2:54 pm    
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A big part of the problem is that both the voice and the steel are non-fretted instruments. If one of them drifts from A440, the other will probably follow.
A good example of this occurred when I participated as a dobroist on a recording, and a session fiddler was called in after I laid down my part. He requested that any unfretted instrument parts be muted while he added fiddle.
The message related to this thread is that trying to control two non-fretted instruments is asking for disaster.
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Earnest Bovine


From:
Los Angeles CA USA
Post  Posted 7 Nov 2016 3:58 pm    
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I prefer to sing Giddy up Go in A so I can use only open strings on the steel.
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Rick Stratton


From:
Tujunga, California, USA
Post  Posted 7 Nov 2016 6:39 pm    
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And you do that song so well Mr. Bovine!
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