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Topic: Cool John Hughey/Conway Twitty video |
Richard Sinkler
From: aka: Rusty Strings -- Missoula, Montana
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Posted 20 Apr 2016 4:57 pm
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I don't know how many of you have seen this video, but here it is. This is the best version of the Twitty Birds ever.
https://www.youtube.com/watch?v=lUQM6OV6cYE _________________ Carter D10 8p/8k, Dekley S10 3p/4k C6 setup,Regal RD40 Dobro, Recording King Professional Dobro, NV400, NV112,Ibanez Gio guitar, Epiphone SG Special (open D slide guitar) . Playing for 54 years and still counting. |
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Barry Blackwood
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Posted 20 Apr 2016 5:09 pm
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Hands down. |
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Bill Lowe
From: Connecticut
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Posted 20 Apr 2016 5:18 pm
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good stuff....that drummer is a trip!! _________________ JCH D10, 71 D10 P/p fat back, Telonics TCA 500C--12-,Fender JBL Twin, Josh Swift signature. |
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Rick Abbott
From: Indiana, USA
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Posted 20 Apr 2016 5:45 pm
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That was great! Thanks for posting this. _________________ RICK ABBOTT
Sho~Bud D-10 Professional #7962
Remington T-8, Sehy #112
1975 Peavey Pacer |
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Jim Hussey
From: Reno, Nevada - USA
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Posted 20 Apr 2016 8:35 pm
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Hey Richard, where did you find this great clip? The drummer is a trip and it's clear everyone is having a great time.
As I was watching I was reminded of this clip: https://m.youtube.com/watch?v=YoAGzUrFuA4
The whole band is more subdued, but John is over the top, the drummer sneaks in some flare at 1:20, and then leaves his mark on the ending. This is one of my favorite Conway clips. It is classic Hughey on all fronts. |
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rpetersen
From: Iowa
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Posted 21 Apr 2016 4:47 am
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Cripes - Did you notice the amp behind John!!! _________________ Ron Petersen |
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Richard Sinkler
From: aka: Rusty Strings -- Missoula, Montana
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Posted 21 Apr 2016 7:38 am
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Jim Hussey wrote: |
Hey Richard, where did you find this great clip? The drummer is a trip and it's clear everyone is having a great time.
As I was watching I was reminded of this clip: https://m.youtube.com/watch?v=YoAGzUrFuA4
The whole band is more subdued, but John is over the top, the drummer sneaks in some flare at 1:20, and then leaves his mark on the ending. This is one of my favorite Conway clips. It is classic Hughey on all fronts. |
I'm Facebook friends with a relative of Big Joe Lewis, the bass player. She has a page on FB and she posted this video.
John is always over the top with Conway. I feel he really developed Conway's sound. Now you know why John is my favorite but barely above Buddy. I love that video you posted, but I don't care for the color of his guitar. _________________ Carter D10 8p/8k, Dekley S10 3p/4k C6 setup,Regal RD40 Dobro, Recording King Professional Dobro, NV400, NV112,Ibanez Gio guitar, Epiphone SG Special (open D slide guitar) . Playing for 54 years and still counting. |
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Richard Sinkler
From: aka: Rusty Strings -- Missoula, Montana
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Posted 21 Apr 2016 7:51 am
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rpetersen wrote: |
Cripes - Did you notice the amp behind John!!! |
I believe it is a Dual Showman with Reverb. I believe the friend I have, Joe Lewis' relative, said this was shot in Germany (I could be wrong - senior moment) so I think the backline might have been supplied. I have never seen any other video or pics with that amp.
Some other observations:
All men are wearing ties.
There is a tall column next to Porkchop. I've been trying for a long, long time to figure out what it is. It's 2 cabinets (at least it looks 2 to me) stacked on top of each other. The top looks like it has a horn. In the bottom, you can see a silver dust cone speaker, probably a JBL.
The SG bass that Big Joe is playing looks like a toy. I've been told it's a short scale bass. Man "Big" Joe is sure big. _________________ Carter D10 8p/8k, Dekley S10 3p/4k C6 setup,Regal RD40 Dobro, Recording King Professional Dobro, NV400, NV112,Ibanez Gio guitar, Epiphone SG Special (open D slide guitar) . Playing for 54 years and still counting. |
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Bill Lowe
From: Connecticut
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Posted 21 Apr 2016 9:03 am another cool photo
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_________________ JCH D10, 71 D10 P/p fat back, Telonics TCA 500C--12-,Fender JBL Twin, Josh Swift signature. |
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Richard Sinkler
From: aka: Rusty Strings -- Missoula, Montana
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Posted 21 Apr 2016 10:50 am
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I think that top pic was from the movie, "Invasion of the Vocalmasters. _________________ Carter D10 8p/8k, Dekley S10 3p/4k C6 setup,Regal RD40 Dobro, Recording King Professional Dobro, NV400, NV112,Ibanez Gio guitar, Epiphone SG Special (open D slide guitar) . Playing for 54 years and still counting. |
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Joe Goldmark
From: San Francisco, CA 94131
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Posted 21 Apr 2016 6:04 pm
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And in that 2nd video they put Big Joe on the riser and it's like "bass player from the mountain."
Little Joe |
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Chris Templeton
From: The Green Mountain State
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Posted 22 Apr 2016 4:20 am
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That is a fantastic video! Thanks for posting!
Richard said, " I feel he really developed Conway's sound".
When I visited Speedy at his home in Broken Arrow, OK, he mentioned that this was the reason John left Conway.
His pay didn't reflect his contribution to Conway's sound.
This video sure makes the case for that. _________________ Excel 3/4 Pedal With An 8 String Hawaiian Neck, Sierra Tapper (10 string with a raised fretboard to fret with fingers), Single neck Fessenden 3/5
"The Tapper" : https://christophertempleton.bandcamp.com/album/the-tapper
Soundcloud Playlist: https://soundcloud.com/bluespruce8: |
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chris ivey
From: california (deceased)
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Posted 22 Apr 2016 8:06 am
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obviously conway's voice and john's steel created magic. they were, individually, the best at what they do. together it was mind blowing and i'm sure
they were both aware of the other's value.
i had assumed that conway dropped john because of the direction music was going at the time, unfortunately for us and john. more of a producer-type decision. the steel era had run it's course for many many years of hits.
but money may have been part of the equation, such as i had heard was the case with jaydee and the
chris hillman...er...i mean.....desert rose band!
you always wonder how many 'stars' appreciate how important certain sidemen are to their sound and career. i've known many who were nothing without
them. |
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Henry Matthews
From: Texarkana, Ark USA
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Posted 22 Apr 2016 9:02 am
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The amp in the colored picture,middle left is an Evans and in fact, I know where that exact amp is. It belonged to the late Jim Evans and is here in town. John had written a note on which songs were recorded with that amp and put in back of amp, and it's still in back of amp. Image of me was one song if I remember correct and also 15 Years was one. _________________ Henry Matthews
D-10 Magnum, 8 &5, dark rose color
D-10 1974 Emmons cut tail, fat back,rosewood, 8&5
Nashville 112 amp, Fishman Loudbox Performer amp, Hilton pedal, Goodrich pedal,BJS bar, Kyser picks, Live steel Strings. No effects, doodads or stomp boxes. |
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Chris Templeton
From: The Green Mountain State
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Posted 22 Apr 2016 9:10 am
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Great point about Conway's musical direction, Chris. Ray Price made a similar decision about his musical direction (no steel, add strings),
Maybe there was a severance pay issue. I don't know. _________________ Excel 3/4 Pedal With An 8 String Hawaiian Neck, Sierra Tapper (10 string with a raised fretboard to fret with fingers), Single neck Fessenden 3/5
"The Tapper" : https://christophertempleton.bandcamp.com/album/the-tapper
Soundcloud Playlist: https://soundcloud.com/bluespruce8: |
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Richard Sinkler
From: aka: Rusty Strings -- Missoula, Montana
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Posted 22 Apr 2016 10:11 am
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chris ivey wrote: |
obviously conway's voice and john's steel created magic. they were, individually, the best at what they do. together it was mind blowing and i'm sure
they were both aware of the other's value.
i had assumed that conway dropped john because of the direction music was going at the time, unfortunately for us and john. more of a producer-type decision. the steel era had run it's course for many many years of hits.
but money may have been part of the equation, such as i had heard was the case with jaydee and the
chris hillman...er...i mean.....desert rose band!
you always wonder how many 'stars' appreciate how important certain sidemen are to their sound and career. i've known many who were nothing without
them. |
That's the story I heard too. I wanted so bad to ask him. But, Conway was heading into the pop arena. _________________ Carter D10 8p/8k, Dekley S10 3p/4k C6 setup,Regal RD40 Dobro, Recording King Professional Dobro, NV400, NV112,Ibanez Gio guitar, Epiphone SG Special (open D slide guitar) . Playing for 54 years and still counting. |
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chris ivey
From: california (deceased)
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Posted 22 Apr 2016 3:05 pm
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one thing noticeable in all these clips is how complete and full these tunes sound with a four piece band. i love 4 and five piece bands.
conway plays just enough guitar to fill a few gaps and john covers everything else. three part harmony, great rhythm and groove and conways incredible voice.
bitchin.
waylon and buck also pulled off the small band thing.
great songs by great singers and the perfect compliment of sidemen. |
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Jim Hussey
From: Reno, Nevada - USA
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Posted 22 Apr 2016 4:49 pm
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Quote: |
I love that video you posted, but I don't care for the color of his guitar. |
Richard: You have to admit that John and that video kind of puts the whole BLACK guitar theory in the wind. I actually like the color of that guitar and wish I knew where it is today. |
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John Booth
From: Columbus Ohio, USA
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Posted 22 Apr 2016 6:04 pm
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I'd have fired the drummer, but John, Conway and Big Joe were amazing. _________________ Jb in Ohio
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GFI S10 Ultra, Telecaster, a Hound Dog, and an Annoyed Wife
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David Weisenthal
From: Arizona, USA
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Posted 23 Apr 2016 7:05 pm
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Wow, very enjoyable. Would love to see more of this. Back to the used record store tomorrow for some Conway. _________________ Derby SD10, Peavey Session 400 |
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Bill Lowe
From: Connecticut
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Posted 24 Apr 2016 4:17 am
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That's a lot of music for 4 guys. Cool vibe, including the drummer. Wish we had more of that today. Does anybody know what year the video was? _________________ JCH D10, 71 D10 P/p fat back, Telonics TCA 500C--12-,Fender JBL Twin, Josh Swift signature. |
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Steve Hinson
From: Hendersonville Tn USA
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Posted 24 Apr 2016 8:02 am
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Bill Lowe wrote: |
That's a lot of music for 4 guys. Cool vibe, including the drummer. Wish we had more of that today. Does anybody know what year the video was? |
The YouTube caption reads"1969-70". |
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Billy Carr
From: Seminary, Mississippi, USA (deceased)
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Posted 29 Apr 2016 1:30 am Ct
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These were very first guys I remember going to see on a Friday night in Runnelstown, MS. sometime 71'. I had just started trying to learn PSG and met John Hughey that night. He was playing a D-10 Emmons p/p that looked sunburst with a sticker on the front apron of a tiger where the Lagrande stickers were placed years later. John let me help him take his guitar down and spent a few minutes talking to a 14 year old kid he'd never seen before. Fast forward to 2016 and at 58, I'm still a Hughey man. I play several of his signature licks, etc. out of respect. I've always liked each steelman and have listened and studied most but Hughey remains my favorite. In the present time, I've been watching/listening to Paul Franklin, Tommy White, Mike Johnson, Mike Sweeney, Lloyd Green, JD Maness and Gary Carter. |
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Jamie Mitchell
From: Nashville, TN
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Posted 29 Apr 2016 10:13 am
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Richard Sinkler wrote: |
rpetersen wrote: |
Cripes - Did you notice the amp behind John!!! |
I believe it is a Dual Showman with Reverb. |
i think you're correct.
sitting on a 2x15 cab? |
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Richard Sinkler
From: aka: Rusty Strings -- Missoula, Montana
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Posted 29 Apr 2016 3:36 pm
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John Booth wrote: |
I'd have fired the drummer, but John, Conway and Big Joe were amazing. |
Porkchop is a very good drummer. Fit's in with the others. I'd rather have someone like him in a band rather than these drummers nowadays that feel the need to use all of his 8 cymbals and every drum in the drum set. His antics was part of Conway's show. _________________ Carter D10 8p/8k, Dekley S10 3p/4k C6 setup,Regal RD40 Dobro, Recording King Professional Dobro, NV400, NV112,Ibanez Gio guitar, Epiphone SG Special (open D slide guitar) . Playing for 54 years and still counting. |
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