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Erv Niehaus


From:
Litchfield, MN, USA
Post  Posted 26 Feb 2016 1:33 pm    
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Some time back I undertook quite a project. I bought a D-10 ZB that needed some TLC. I bought it with the idea of rebuilding it with a typical cross shaft pedal system, I never did like the looks of the ZB mechanism. It wound up being a bigger project than I bargained for. I dis-assembled the guitar, refinished the cabinet and put it back together again with a crossshaft mechanism. I retained as much of the original ZB as paossible. I kept the original cabinet, end plates, changer, pickups, keyheads and foot pedals. Most ZB owners feel that the ZB's sound primarily rests in the changer and pckups. So I wanted to keep those intact. I even bought split cases for it through Bill Rudolph.
I really don't know what to do with it, I would never get my money out of it on a sale. The best I could is maybe trade it on a late model MCI or a EMCI. I've always wanted to try one of those.
Here are some pictured:





















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Rick Barnhart


From:
Arizona, USA
Post  Posted 26 Feb 2016 1:44 pm    
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You did a beautiful job on that makeover, Erv.
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Erv Niehaus


From:
Litchfield, MN, USA
Post  Posted 26 Feb 2016 1:54 pm    
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Thanks, Rick!
I know it took long enough. Rolling Eyes
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mike nolan


From:
Forest Hills, NY USA
Post  Posted 26 Feb 2016 2:04 pm    
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Great job Erv!
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Henry Matthews


From:
Texarkana, Ark USA
Post  Posted 26 Feb 2016 2:13 pm    
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Great job Erv and believe me, I know how much work goes into a project like that because I did same thing. Mine wasn't as fancy as yours but the mechanism worked and was a big improvement over the original ZB cross bars and didn't change the tone at all as far as I could tell.
Again, fantastic job.
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Tim Russell


From:
Pennsylvania, USA
Post  Posted 26 Feb 2016 2:33 pm    
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Wow, that's incredible. I would keep it and play the heck out of it! Very Happy
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Erv Niehaus


From:
Litchfield, MN, USA
Post  Posted 26 Feb 2016 2:44 pm    
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Some of the undercarriage is MSA Classic. I got that from Wayne Link in Canada.
The rails, crossshafts, pull rods, turnbuckles and etc., I made myself.
What's interesting is that the pull rods that connect to the changer are shortened bicycle spokes.
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Billy Knowles

 

From:
Kenansville, N. C. 28349 usa
Post  Posted 26 Feb 2016 8:41 pm     Zb
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Wonderful work!!
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Lane Gray


From:
Topeka, KS
Post  Posted 26 Feb 2016 8:49 pm    
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That's amazing stuff
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richard burton


From:
Britain
Post  Posted 27 Feb 2016 12:53 am    
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Erv,
You've fallen in the trap of using bellcranks and collars for the pulls.

This is not the best way to set up a ZB, as it becomes very difficult to tune at the endplate when each changer finger has its own bellcrank.

If a pedal is to raise two strings, ZB's work best if there is just one bellcrank with a swivelling yoke attached.

This ensures that both changer fingers will bottom out on the endplate, making tuning the raises and lowers very simple.
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Ned McIntosh


From:
New South Wales, Australia
Post  Posted 27 Feb 2016 1:51 am    
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I think Richard is referring to what engineers call a "Whiffletree", which is a yoke connecting two or more shafts or rods to ensure each rod arrives at the destination at the same time, "finding its own level", as it were, on the way.

Whether Erv's system is hard to synchronise or not will depend a lot on the moment-arms, length of pulls and mechanics. I have a sneaking suspicion it will be capable of being set up to synchronise mutliple pulls to arrive "in time". But, if a Whiffletree is needed. I don't think it would be hard to incorporate into Erv's rebuild.

Having gone through the exercise of re-building the undercarriage on a Marlen Pull-release, I applaud Erv's work. It looks magnificent.
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The steel guitar is a hard mistress. She will obsess you, bemuse and bewitch you. She will dash your hopes on what seems to be whim, only to tease you into renewing the relationship once more so she can do it to you all over again...and yet, if you somehow manage to touch her in that certain magic way, she will yield up a sound which has so much soul, raw emotion and heartfelt depth to it that she will pierce you to the very core of your being.
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Erv Niehaus


From:
Litchfield, MN, USA
Post  Posted 27 Feb 2016 8:27 am    
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I've covered my tracks. I still incorporated the turnbuckles on the pull rods and, like the Emmons p/p's, I have short springs on the pull rods behind the bellcranks. There is no problem in adjusting the pulls. Very Happy
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J R Rose

 

From:
Keota, Oklahoma, USA
Post  Posted 27 Feb 2016 3:21 pm    
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Hey Erv, Again let me say your guitar rebuild work is beautiful. You did a great job. I did not mean to hijack your thread with a picture of my little build.
I am just kinda excited to try building one again. Like you I only have basic tools, Drill press with compound vice and a couple of milling bits, Band saw, a disc sander & 1 inch belt sander and a 8 inch buffer. Takes a lot of time. Again, You did a great job, J.R. Rose
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Dale Rottacker


From:
Walla Walla Washington, USA
Post  Posted 27 Feb 2016 4:08 pm    
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What a beautiful job Erv... certainly something to be proud of
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Dave Zirbel


From:
Sebastopol, CA USA
Post  Posted 1 Jan 2020 11:16 pm    
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Erv, did the pedal and lever action improve with the upgrade? How about tuning stability?

Looks great!

Thanks
Dz
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Per Berner


From:
Skovde, Sweden
Post  Posted 1 Jan 2020 11:28 pm    
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Superb job on a very beatiful guitar! Very Happy
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Stu Schulman


From:
Ulster Park New Yawk (deceased)
Post  Posted 2 Jan 2020 2:53 am    
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Erv,I salute you!
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Roger Rettig


From:
Naples, FL
Post  Posted 2 Jan 2020 5:25 am    
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My hat is off to you, Erv! What a splendid job you've made of it. If my ZBs had had undercarriages that looked like that maybe I'd still be playing one!

My late father knew nothing about steel guitars (or musical instruments of any kind, come to that) but he was an engineer by trade and by vocation. When I brought my first ZB home in the mid-1970s he was underwhelmed by the mechanical principles inherent in the guitar. I recall him saying that, once I'd explained what the pedals and knee-levers were required to achieve, 'There has to be a better way.....'
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Gary Patterson


From:
Gallatin, TN
Post  Posted 2 Jan 2020 6:04 am    
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Beautiful cabinet. Is the MOP banding original, or an added touch?
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Roger Rettig


From:
Naples, FL
Post  Posted 2 Jan 2020 9:07 am    
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Some ZBs had that binding as an 'extra'. Gerry Hogan's green-and-maple one did, anyway.
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Bill C. Buntin

 

Post  Posted 3 Jan 2020 8:28 am    
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Erv do you still own this zb?

Bill
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Erv Niehaus


From:
Litchfield, MN, USA
Post  Posted 3 Jan 2020 9:10 am    
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Thanks, gentlemen!!
The MOP binding was original to the guitar when I got it.
I don't know if I would take on that project again, it was a lot of work!
I tried to maintain the tone of the ZB when I rebuilt it.
I believe the tone of the ZB rests in the changer, which has features very similar to the Emmons p/p changer, and the pickups so they are original.
The undercarriage on a ZB just looks like junk so that's what I tried to improve on.
I don't know if it plays any better but it sure looks better and, yes, I still own it! Very Happy
Erv
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Daniel Baston


From:
Toronto, Ontario, Canada
Post  Posted 3 Jan 2020 10:19 am    
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Very cool! Beautiful work
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Bill C. Buntin

 

Post  Posted 3 Jan 2020 10:21 am    
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Erv I restored a zb d11 back in 2000. It had zb cross shafts and bell cranks instead of flatbars. The changer is amazingly simple and unique l always thought Zane beck was a practical genius and it was a tone monster. I sold it on the forum to steve tkacs (rip steve). I think he had it rebuilt with Kline mechanics.

Your zb is beautiful. If you ever sell it, let me know. Love these old zb guitars.

Bill
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Andy DePaule


From:
Saigon, Viet Nam & Springfield, Oregon
Post  Posted 5 Jan 2020 7:17 pm     Nice job Erv.
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Nice job Erv.
That was a labor of love.
I was never a big ZB fan, but that would be a nice one to own.
Best wishes,
Andy Very Happy
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