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Post new topic What song are you working on now??? level of difficulty
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Author Topic:  What song are you working on now??? level of difficulty
Roger Miller


From:
Cedar Falls, Ia.
Post  Posted 28 Jul 2015 2:19 pm    
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I'm looking to play something other than my normal, I would like to learn a good song that lays well for the steel and not a super hard song.
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Steve Hitsman


From:
Waterloo, IL
Post  Posted 29 Jul 2015 4:40 am    
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Which tuning?
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Joachim Kettner


From:
Germany
Post  Posted 29 Jul 2015 7:58 am    
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"Greensleeves" in e-minor. It's tabbed out in Mel Bay's Pedal Steel Guitar Method. It' nice and slow and not too complicated.
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Tom Quinn


Post  Posted 29 Jul 2015 11:14 am    
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I purchased both the E9th and C6th books by Buddy Emmons and I'm working through the E9th right now. Buddy's playing is so cool and you totally get that when you see it spread out on paper... his thinking behind the licks is terrific.
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Justin Griffith


From:
Taylor, Texas, USA
Post  Posted 29 Jul 2015 2:12 pm    
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Joachim Kettner wrote:
"Greensleeves" in e-minor. It's tabbed out in Mel Bay's Pedal Steel Guitar Method. It' nice and slow and not too complicated.


That would be a good one for sure!
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Roger Miller


From:
Cedar Falls, Ia.
Post  Posted 29 Jul 2015 7:40 pm    
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I have been working on the song Champagne on E9, how about Home in San Antone on C6. I'm always working on some Steve Palousek stuff. A song I do by myself is Deep in a Dream arrangement from Jim Cohen, I try to keep on top of, it's easy to forget on c6.
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Jerry Roller


From:
Van Buren, Arkansas USA
Post  Posted 29 Jul 2015 9:27 pm    
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I recently starting spending some time on "That Rainy Day". Buddy did a beautiful job on it. C6th tuning. That's one you don't just listen to a time or two and then play it.
Jerry
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Chris Sattler

 

From:
Hunter Valley, Australia
Post  Posted 30 Jul 2015 2:34 am    
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I've got an extended Leavitt tuning on a T8 and am trying to tab out some standards like Stardust, Moonlight serenade etc. I will share when I finish but they are complex to work out for the correct chord voicings. It slow going but very rewarding. All the chords are there for the finding.

It's a good tuning but I don't know if it will be a permanent fixture on this guitar yet.
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Steve Hitsman


From:
Waterloo, IL
Post  Posted 30 Jul 2015 5:21 am    
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"Satin Doll" on C6... relatively easy.
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Christopher Woitach


From:
Portland, Oregon, USA
Post  Posted 30 Jul 2015 8:17 am    
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Donna Lee, and Yardbrd Suite, including Bird's solo. Hard

My Romance isn't that hard on C6, nice tune
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Christopher Woitach
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Darvin Willhoite


From:
Roxton, Tx. USA
Post  Posted 30 Jul 2015 6:53 pm    
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The last song I worked up was Elton John's "Blue Eyes". Buddy Emmons played it on one of the Swingin' albums, and I always liked it but never tried playing it until a few months ago. It was pretty difficult for me, but I don't read music, and I don't use tab.
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Darvin Willhoite
MSA Millennium, Legend, and Studio Pro, Reese's restored Universal Direction guitar, a restored MSA Classic SS, several amps, new and old, and a Kemper Powerhead that I am really liking. Also a Zum D10, a Mullen RP, and a restored Rose S10, named the "Blue Bird". Also, I have acquired and restored the plexiglass D10 MSA Classic that was built as a demo in the early '70s. I also have a '74 lacquer P/P, with wood necks, and a showroom condition Sho-Bud Super Pro.
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Drew Howard


From:
48854
Post  Posted 31 Jul 2015 5:40 am    
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Weldon Myrick licks on E9 !!!!
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Tony Prior


From:
Charlotte NC
Post  Posted 31 Jul 2015 12:45 pm    
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funny ! Wink About a month or two ago I started going backwards almost to where I was years 15 or 20 years ago, playing those Ray Price/Emmons songs again . It all struck when I acquired another Pro III as well as landing 3 gigs /month where I am required to play Instrumentals...

I have to remind myself that you can't play fast if you can't play slow... Rolling Eyes
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Alexander Rehfeld

 

From:
Hamburg, Germany
Post  Posted 31 Jul 2015 2:13 pm    
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'Three Picks' by Lloyd Green (recorded on his 1969 instrumental album 'Moody River', advanced), 'I'm Satisfied With You' by George Strait (featuring Weldon Myrick on the C6, easy).
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Quentin Hickey

 

From:
Nova Scotia, Canada
Post  Posted 31 Jul 2015 2:28 pm    
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Scrapple from the apple.
Difficulty-mediumish??
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Roger Miller


From:
Cedar Falls, Ia.
Post  Posted 31 Jul 2015 3:39 pm    
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These replies are fabulous, keep them coming. I will take all the songs your talking about and try them myself. Keep these replies coming.
roger
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Quentin Hickey

 

From:
Nova Scotia, Canada
Post  Posted 31 Jul 2015 3:43 pm    
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Jerry Roller wrote:
I recently starting spending some time on "That Rainy Day". Buddy did a beautiful job on it. C6th tuning. That's one you don't just listen to a time or two and then play it.
Jerry


Ive been trying to work that one out too. The way Buddy played it.
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Dennis Saydak


From:
Manitoba, Canada
Post  Posted 31 Jul 2015 4:06 pm    
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When I Call Your Name. It doesn't get much better than this, although Buddy adds a lot of embellishment. It also lays out nicely on C6th.
https://www.youtube.com/watch?v=GtXTE3GcSgw
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David Mason


From:
Cambridge, MD, USA
Post  Posted 5 Aug 2015 1:41 am    
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You didn't mention where your tastes lie, but: "Stormy Monday Blues" Allman-style lays out real sweet on C6th, as does "Every Breathe You Take" by the Police. Nice and easy, but that gives you a chance to work on tone, intonation, even string volume and NOT-even string volume - you can notice with the Allman Brothers they kind of unobtrusively double some lines and notes to give them emphasis. "Every Breathe.." has to have a slight palm mute while playing, it's kind of a semi-palm blocking exercise.
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Harold Bullard


From:
Harrisonville, MO 64701 USA
Post  Posted 5 Aug 2015 2:35 pm    
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I've started trying to work up a couple of tunes. An instrumental of Hank's "I'm So Lonesome I Could Cry" and the solo for George's "Right Or Wrong" on E9th. This oughta keep me busy for a while.
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Ian

 

From:
San Francisco, CA
Post  Posted 6 Aug 2015 12:39 am    
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Great question, Roger.

I'm currently working on Mariano by Robert Earl Keen. The level of difficulty isn't too high - just a few chords, slow tempo - but I've been working on a "composed" solo. It's an editing process really, trying to get just the right notes. I play it on Dobro and at the end of the solo (which is basically the melody with open low G and B strings and a second fret A) I arpeggiate a Bm chord with the top two strings open and bar strings three and four at the eleventh fret. I keep the open first string ringing and then go down to the second fret for A with some pull offs and end on the B on the sixth string. I hope to be playing it at a BBQ this weekend - and nail the solo.

Ian
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