| Visit Our Catalog at SteelGuitarShopper.com |

Post new topic GARY CARTER------this boy can play!
Goto page 1, 2  Next
Reply to topic
Author Topic:  GARY CARTER------this boy can play!
Sid Hudson


From:
Virginia, USA
Post  Posted 27 Apr 2015 7:58 am    
Reply with quote

https://www.youtube.com/watch?v=BIWuQgzbCBs&feature=youtu.be
_________________
www.lsstrings.com
View user's profile Send private message Send e-mail Visit poster's website
Jim Hinds

 

From:
Gallatin, TN USA
Post  Posted 27 Apr 2015 8:18 am    
Reply with quote

Yes he can Smile
Thanks for posting Sid
View user's profile Send private message Send e-mail
Paul Wade


From:
mundelein,ill
Post  Posted 27 Apr 2015 8:48 am     Gary carter
Reply with quote

anybody know about his tunning his setup??

p.w Very Happy
View user's profile Send private message Send e-mail
Roger Rettig


From:
Naples, FL
Post  Posted 27 Apr 2015 8:54 am    
Reply with quote

Gorgeous!!!

Is Gary dropping his 10th a step-and-a-half? I wonder if his set-up is available anywhere.

Thanks, Sid - I enjoyed that.
_________________
Roger Rettig: Emmons D10, B-bender Teles and Martins - and, at last, a Gibson Super 400!
----------------------------------
View user's profile Send private message Send e-mail Visit poster's website
Rick Myrland


From:
New Orleans
Post  Posted 27 Apr 2015 8:55 am    
Reply with quote

He consistently impresses me with both his style and tone. I watch the Marty Stuart Show videos for hours when he's on.
_________________
Mullen G2; Fender Tone Master Twin Reverb; Goodrich L-120
View user's profile Send private message Send e-mail Visit poster's website
Jason King

 

From:
Missouri, USA
Post  Posted 27 Apr 2015 11:21 am    
Reply with quote

Gary is an awesome player. A good guy also!
View user's profile Send private message Send e-mail
Tim Sergent

 

From:
Hendersonville, TN, USA
Post  Posted 27 Apr 2015 1:45 pm    
Reply with quote

That's awesome stuff, Gary!! You were playing a bunch of "adult chords" in there.
View user's profile Send private message
Kevin Hatton

 

From:
Buffalo, N.Y.
Post  Posted 27 Apr 2015 3:04 pm    
Reply with quote

Outstanding right hand form. Newbies take note. Also notice there is no drop his wrist on his left hand. Something I have seen many players guilty of.
View user's profile Send private message Send e-mail Visit poster's website
Donny Hinson

 

From:
Glen Burnie, Md. U.S.A.
Post  Posted 27 Apr 2015 4:19 pm    
Reply with quote

Gary has been very good for a very long time. And somewhere, I have an old autographed picture of Gary and Cheryl, even older than the one below. In that one, he's playing an old 3-neck Gibson Multi-Harp. Very Happy


View user's profile Send private message Send e-mail
Craig Baker


From:
Eatonton, Georgia, USA - R.I.P.
Post  Posted 27 Apr 2015 4:40 pm    
Reply with quote

Donny,
Thanks so much for posting that photo. One Saturday in 1968 I played at the Philadelphia Navy Yard and The Carter Kids were booked on the same show. Never heard anything like it. Cheryl and Gary played Panhandle Rag and Steel Guitar Rag. You would have sworn Buddy and Leon were on stage. They played The Troubadours arrangements . . . note for note. It's no wonder Gary plays so well today. Thanks again.

ps: he was playing that Baldwin - Sho~Bud cross-over when I saw them.

Craig
_________________
"Make America Great Again". . . The Only Country With Dream After Its Name.
View user's profile Send private message Send e-mail
Ron Funk

 

From:
Ballwin, Missouri
Post  Posted 27 Apr 2015 6:39 pm    
Reply with quote

Masterfully executed.
View user's profile Send private message Send e-mail
Roger Crawford


From:
Griffin, GA USA
Post  Posted 27 Apr 2015 6:55 pm    
Reply with quote

If you don't have Gary's CD, you're missing out on some of the best playing you'll ever hear.
View user's profile Send private message Send e-mail
Tom Gorr

 

From:
Three Hills, Alberta
Post  Posted 27 Apr 2015 9:05 pm    
Reply with quote

Thanks Sid... there's some amazing stuff going on in steel guitar and I can't recall ever having a song make such an impression. Amazing player.
View user's profile Send private message Send e-mail
Charlie McDonald


From:
out of the blue
Post  Posted 28 Apr 2015 1:25 am    
Reply with quote

I agree Tom. His use of those adult chords and the shape of his right hand, very masterful--I'd take lessons from him in a minute.
_________________
Those that say don't know; those that know don't say.--Buddy Emmons
View user's profile Send private message Send e-mail
Len Amaral

 

From:
Rehoboth,MA 02769
Post  Posted 28 Apr 2015 4:18 am    
Reply with quote

Absolutely beautiful!
View user's profile Send private message Send e-mail
Greg Milton


From:
Benalla, Australia
Post  Posted 28 Apr 2015 4:32 am    
Reply with quote

Roger and Paul,

Not sure about Gary's set-up on this particular song, but his E9 set-up on the Zum he plays on the Marty Stuart Show (dated Feb 2014):



It strikes me as pretty original!
View user's profile Send private message Send e-mail
Roger Rettig


From:
Naples, FL
Post  Posted 28 Apr 2015 4:38 am    
Reply with quote

Thank you, Greg. Some food for thought there!

I swear I heard a low G# on the 10th string in that clip. Wax in my ears? Very Happy
_________________
Roger Rettig: Emmons D10, B-bender Teles and Martins - and, at last, a Gibson Super 400!
----------------------------------
View user's profile Send private message Send e-mail Visit poster's website
Roger Rettig


From:
Naples, FL
Post  Posted 28 Apr 2015 10:50 am    
Reply with quote

My 10th already drops to an A but, happily, I've found that there's enough room to take it down a step-and-a-half.

What fun, and how the sound of E9 is fattened up with that extra range.
_________________
Roger Rettig: Emmons D10, B-bender Teles and Martins - and, at last, a Gibson Super 400!
----------------------------------
View user's profile Send private message Send e-mail Visit poster's website
Brint Hannay

 

From:
Maryland, USA
Post  Posted 28 Apr 2015 1:51 pm    
Reply with quote

He plays a G# minor chord on only open strings with the low G# (0:09 and 0:30). Rather than pedal the 10th string down to G#, it seems he may have tuned it down to G#.

The string of harmonics just before the end is phenomenal!
View user's profile Send private message Send e-mail
Edward Rhea

 

From:
Medford Oklahoma, USA
Post  Posted 28 Apr 2015 7:11 pm    
Reply with quote

https://m.youtube.com/watch?v=TI56hQOsmos

This is a really cool song and kinda of a more detailed screenshot. Probably been seen by many YouTube surfers, but still really neat.
_________________
“TONESNOB”
View user's profile Send private message Send e-mail
Charlie McDonald


From:
out of the blue
Post  Posted 29 Apr 2015 1:24 am    
Reply with quote

I really enjoyed that last one.
He has some kicking licks and great production.
_________________
Those that say don't know; those that know don't say.--Buddy Emmons
View user's profile Send private message Send e-mail
Greg Milton


From:
Benalla, Australia
Post  Posted 29 Apr 2015 4:25 am    
Reply with quote

Hi Roger, you hear what you hear, and you're probably right (my ears aren't good enough to tell, at least not right away).

His E9 tuning on his Zum is really food for thought - his LKL that raises his 4th string to F# and his 6th string to G# is really useful, especially in the A/F position (as an A and B pedal sound), but also in the no pedals position playing a IV chord. I split these changes (raise to F# on a knee lever, and raise to G# on a pedal - the 'Bovine pedal' - next to the A pedal) and use them all the time.

He didn't mention his splits, though if he has half stops on strings 1 and 2 (raising to G, then G# on string 1, and lowering to D and then to C# on string 2) then it's quite economical - two changes for the price of one. If he doesn't have half stops he can get the D note by using his LKR and his RKR to get the split.

His 9th string D to Eb is something I've used a lot, originally inspired by Winnie Winston. He can use his RKR then his LKR to get that nice low C# - Eb change. Of course, this lever movement also gets him the C# - E sound on the 2nd string. Lovely!

He seems to me a most under-rated player.
View user's profile Send private message Send e-mail
Paul Wade


From:
mundelein,ill
Post  Posted 29 Apr 2015 4:55 am     Gary carter
Reply with quote

great playing on this one. great tone on that zum Very Happy
https://www.youtube.com/watch?v=S1D5khp0Yxw


p.w
View user's profile Send private message Send e-mail
Roger Rettig


From:
Naples, FL
Post  Posted 29 Apr 2015 5:07 am    
Reply with quote

Well, of course, it's beautifully executed but it's standard E9 fare.

I missed hearing the grown-up chords he plays in the other clips Smile .....
_________________
Roger Rettig: Emmons D10, B-bender Teles and Martins - and, at last, a Gibson Super 400!
----------------------------------
View user's profile Send private message Send e-mail Visit poster's website
Larry Lenhart


From:
Ponca City, Oklahoma
Post  Posted 29 Apr 2015 6:56 am    
Reply with quote

That first youtube video posted by Sid was amazing ! I had seen the others and they are all great and inspirational, but that first one was something special !! Great technique, tone, chording...it had it all !! Thanks for posting this.
_________________
Zum Encore, Remington D8 non pedal, Hallmark Mosrite clone, Gretsch 6120 DSW, Gretsch G5210T-P90 Electromatic Jet Two 90,1976 Ibanez L5, Eastman archtop, Taylor Dreadnaught, Telonics pedal, Squire Tele, Squire Strat, Fender Tonemaster, Gold Tone 5 string banjo, Little Wonder tenor banjo, 3 Roland cubes 30s and 80, Carvin combo bass amp
View user's profile Send private message Send e-mail

All times are GMT - 8 Hours
Jump to:  
Please review our Forum Rules and Policies
Our Online Catalog
Strings, CDs, instruction, and steel guitar accessories
www.SteelGuitarShopper.com

The Steel Guitar Forum
148 S. Cloverdale Blvd.
Cloverdale, CA 95425 USA

Click Here to Send a Donation

Email SteelGuitarForum@gmail.com for technical support.


BIAB Styles
Ray Price Shuffles for Band-in-a-Box
by Jim Baron