| Visit Our Catalog at SteelGuitarShopper.com |

Post new topic Block away, but the harmonics ring on...
Reply to topic
Author Topic:  Block away, but the harmonics ring on...
Bill Llewellyn


From:
San Jose, CA
Post  Posted 2 Jun 2004 11:46 am    
Reply with quote

I'm a palm blocker, but I'd imagine this issue holds true for pick blockers as well.

Whenever I'm doing picking exercises, which I do with headphones on and no accompaniment music (i.e., I can hear all the "bad stuff" that is usually hidden by other instruments), I notice that the blocking of each string with my palm doesn't necessarily mute its entire sound. Yes, the fundamental tone is pretty well squashed, but often my palm hits and lifts from the string at a harmonic split point and I'm left with an (albeit soft) overtone... basically, a chime tone. If my palm is on the string long enough, this doesn't happen. But those quick bounces where I mute one string and play the next leaves some soft overtone on one string. I can't see how to change this, since I can't widen my palm or change the amount of time it's on the strings (during a quick bounce, as mentioned). Moving up or down the neck to a different, non-harmonic spot on the strings might help, but that moves my picking position as well and changes my tone (sometimes drastically) so that's not really an option.

This isn't a serious problem, but I can see how some dissonant tones could arise in one's playing because of it.

Has anyone else here noticed this kind of thing?

------------------
Bill, steelin' since '99 | Steel page | My music | Steelers' birthdays | Over 50?
View user's profile Send private message Send e-mail Visit poster's website
Stephen Gambrell

 

From:
Over there
Post  Posted 2 Jun 2004 1:39 pm    
Reply with quote

What's "Blocking?"
View user's profile Send private message Send e-mail
Buck Dilly

 

From:
Branchville, NJ, USA * R.I.P.
Post  Posted 2 Jun 2004 2:06 pm    
Reply with quote

When this starts to occur move your right hand closer to, or further from the bridge. But there are too many other variables here, to assess this. Get another player to watch you carefully while you play, he may pick up something that you are missing.
View user's profile Send private message Send e-mail
Paddy Long


From:
Christchurch, New Zealand
Post  Posted 2 Jun 2004 6:44 pm    
Reply with quote

Bill do you tuck your little finger, or ring finger - or both, under as well or do you have the fingers extended ?? I used to have that problem but started tucking my ring finger under and it solved the problem for me. I think that my palm wasn't exactly flat right across so one or two strings would ring through the gap where my little finger joins the palm. Worth considering maybe ?
View user's profile Send private message Send e-mail
Jerry Hayes


From:
Virginia Beach, Va.
Post  Posted 3 Jun 2004 3:21 am    
Reply with quote

I had a hard time with blocking also but about 25 years ago I started tucking my ring finger under like Paddy does and it made everything right...........JH

------------------
Livin' in the Past and the Future with a 12 string Mooney Universal tuning.

View user's profile Send private message Send e-mail
Bill Llewellyn


From:
San Jose, CA
Post  Posted 3 Jun 2004 5:06 am    
Reply with quote

I actually curl all fingers under, claw type--no pinky or ring finger extending. That does leave the string(s) I'm trying to mute to touch at the base of my pinky. Maybe that's it...that area of my hand is not very wide.

Doesn't this also happen for pick blockers? Suppose a player picks and blocks at the 24th fret. That would leave the string ringing at the 3rd harmonic (two octaves above the root), wouldn't it?
View user's profile Send private message Send e-mail Visit poster's website
Nicholas Dedring

 

From:
Beacon, New York, USA
Post  Posted 3 Jun 2004 8:47 am    
Reply with quote

Yes, as far as I can tell... you might just be bouncing your palm too lightly, too quickly? If your palm where you block is over that octave harmonic, which is strong and chimes loudly, moving it even slightly to one side or the other should cut that harmonic down significantly.

However, picking over the twenty-fourth fret would only be that second octave harmonic if you had your bar at the zero fret, or other frets where the bar to palm distance was a strong harmonic interval. At the first or second fret, you shouldn't be hearing them, in that case.
View user's profile Send private message
Donny Hinson

 

From:
Glen Burnie, Md. U.S.A.
Post  Posted 3 Jun 2004 5:36 pm    
Reply with quote

Quote:
...often my palm hits and lifts from the string at a...harmonic split point...


I think your right hand position is just a little too far from the bridge.

[This message was edited by Donny Hinson on 03 June 2004 at 06:37 PM.]

View user's profile Send private message Send e-mail
Bob Wood

 

From:
Madera, California, USA
Post  Posted 8 Jun 2004 9:03 am    
Reply with quote

Stephen, my ex use to complain that I'd block her out whenever she talked. Sometimes I'd use my palm, other times I'd pick her out. But mostly, I'd just walk away! Hi Bill! You missed our show Saturday night!

Bob
View user's profile Send private message Send e-mail

All times are GMT - 8 Hours
Jump to:  
Please review our Forum Rules and Policies
Our Online Catalog
Strings, CDs, instruction, and steel guitar accessories
www.SteelGuitarShopper.com

The Steel Guitar Forum
148 S. Cloverdale Blvd.
Cloverdale, CA 95425 USA

Click Here to Send a Donation

Email SteelGuitarForum@gmail.com for technical support.


BIAB Styles
Ray Price Shuffles for Band-in-a-Box
by Jim Baron