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Post new topic anyone ever hear of this odd change on a pedal steel??
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Author Topic:  anyone ever hear of this odd change on a pedal steel??
Bob Carlucci

 

From:
Candor, New York, USA
Post  Posted 20 Jan 2015 2:46 am    
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Recently while doing a set up for a guy, He asked me to set his second string lower thusly..

Eb-D-C#,,, Pretty normal right?
However, he wanted the feel stop set off his 5 string B, thereby lowering it to Bb... He therby eliminated his V lever, that had been lowering his B's 1/2..
I took it off the guitar for him..
I thought it was an ugly change, just too close and dissonant, but he said he really likes it.. I always set the second string feel stop off the 9 string.
Anyone ever lower string 5 along with string 2?... bob
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Dan Beller-McKenna


From:
Durham, New Hampshire, USA
Post  Posted 20 Jan 2015 3:25 am    
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Well, it would open up the F# major (or dominant 7th) combinations. But, no, I've never heard of that one before.
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Bengt Erlandsen

 

From:
Brekstad, NORWAY
Post  Posted 20 Jan 2015 5:24 am    
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I sometimes do that change on my S12ExtE9 7+7 altho I dont have the 2 changes mentioned on the same lever.
My RKL lower 2 D#-D-C# & 9 D-C# (w 9 string creating the halfstop)
My P7 lower 10 & 5 B-Bb (Easy to hit w right foot when I already have used the RKL)

It is quite useful if one likes to play around w chords using strings 5 2 1 or 6 5 2 1
At the 8 fret it would give on strings 5 2 1, G -> Gm -> D

B.Erlandsen
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John Swain


From:
Winchester, Va
Post  Posted 20 Jan 2015 6:56 am    
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It's funny Bob,I just put that on my Carter yesterday to see if there would be conflicts.it worked well until I tried the Emmons split...it cancels having unisons on two and five! Of course..LOL
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b0b


From:
Cloverdale, CA, USA
Post  Posted 20 Jan 2015 9:53 am    
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I think it's a really cool idea. Cool
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Bob Carlucci

 

From:
Candor, New York, USA
Post  Posted 20 Jan 2015 10:38 am    
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b0b wrote:
I think it's a really cool idea. Cool

geez.. I just lost all respect for our magnanamous host...

I thought it was an odd choice when he asked me to do it, and still do.. It seems like that pull would be more advantageous on a V lever.... bob
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John Swain


From:
Winchester, Va
Post  Posted 20 Jan 2015 3:46 pm    
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Also you can't lower the ninth string while holding a+b down without flattening fifth string.
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b0b


From:
Cloverdale, CA, USA
Post  Posted 20 Jan 2015 9:29 pm    
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Some people don't like vertical levers. Some people don't care for unison effects. Neither of those things are necessary to make good music.
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Billy Carr

 

From:
Seminary, Mississippi, USA (deceased)
Post  Posted 20 Jan 2015 11:43 pm     Psg
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Never heard of that change before. I can see where it might work with slow songs or 4/4. I lower #2 to a D and #10 to a Bb on the RKR. This opens up a lot of C6th on the E9th tuning. I don't care for vertical KL'ers either. I get unison sounds using #1 & #4 w/C pedal(Emmons set up). I don't lower #5, B note. I slide back one fret using the 2nd pedal(G# to A) and add the RKL which raises the E's to get the #5 lower on strings 5,6 & 8. LKL lowers #6 G# to a G also. Lowering #10 B to Bb, #6(G# to G) can be added for a lower on strings 6,8 & 10. Back up 2 frets, use 6,8 & 10 with B lowered to Bb, add the G# to A
pedal and "Hold It" can be played on E9th. The 1 to 4 change on this, I get at the 4th fret with the RKL which raises my E's. Still on 6,8 & 10. Thanks.
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