Tom Gorr
From: Three Hills, Alberta
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Posted 1 Sep 2014 8:30 am
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At home, a person wants a big footprint to fill the tonal spectrum as a one piece.
In recording and on stage, a more focused tone is more desirable so there aren't clashes and clutter with the instruments competing for the same 'space' on the eq spectrum.
The natural voicing of a steel is in the lower to upper midrange, thus those are the frequencies that must dominate to have the steel jump out of the mix. The big bass, mid scoop, high treble is the opposite of what's needed.
I like honky speakers and quite a lot more low and upper mids than what most would accept...I don't like a lot of treble and presence in any situation, just bright enough for clarity, but using treble to cut through is just icepicks in everyone's ears.
Your cable selection will have a big influence on your ability to get a thicker and richer tone, particularly with longer cable lengths and a passive vol pedal. I found that a monster rock cable was the best all around cable for getting the tone I want, monster jazz was a close second. George l's were so bright and thin I can't use them. |
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