| Visit Our Catalog at SteelGuitarShopper.com |

Post new topic 6 vs 8 string to achieve Eddie Rivers sound
Reply to topic
Author Topic:  6 vs 8 string to achieve Eddie Rivers sound
David Bardenstein

 

From:
Ohio, USA
Post  Posted 11 Apr 2014 5:13 pm    
Reply with quote

After a brief time with C6 lap steel and a health limited foray into pedal steel I have realized I am heading back to non pedal steel. I particularly like the sound achieved by Eddie RIvers in his work with Asleep at the Wheel. THe question I have is whether the dense dark chords of Eddie RIvers are best done with an 8 string or whether a 6 string is enough. A second question is how a learner gets guidance in achieving that sort of sound (tapes courses etc) FInally to what extent is his ability to do what he does related to having multiple necks available simultaneously as opposed to pedal steel.
View user's profile Send private message Send e-mail
Mark Roeder


From:
Milwaukee, Wisconsin, USA
Post  Posted 11 Apr 2014 7:36 pm    
Reply with quote

I know he uses A6 as one of his necks. That could be part of the answer to your dark dense chords. Not sure what he uses on the other necks
_________________
www.deluxe34.com lap steel stands, Clinesmith, Gibson Console Grande, Northwesterns, The Best Westerns
https://www.facebook.com/TheBestWesterns
View user's profile Send private message Send e-mail
Lane Cunningham


From:
California, USA
Post  Posted 11 Apr 2014 10:15 pm     sweet video
Reply with quote

you've probably seen this video but if not then you should really check it out!

http://www.youtube.com/watch?v=rARCcW3I0K4
View user's profile Send private message Send e-mail
David Bardenstein

 

From:
Ohio, USA
Post  Posted 11 Apr 2014 11:38 pm     sounding like eddie rivers
Reply with quote

Hadn t seen this Thanks so much it is great.
View user's profile Send private message Send e-mail
Jerome Hawkes


From:
Fayetteville, North Carolina, USA
Post  Posted 12 Apr 2014 3:31 am    
Reply with quote

A6 = 8 strings
_________________
'65 Sho-Bud D-10 Permanent • '54 Fender Dual-8 • Clinesmith T-8 • '38 Ric Bakelite • '92 Emmons D-10 Legrande II
View user's profile Send private message Send e-mail
David Bardenstein

 

From:
Ohio, USA
Post  Posted 12 Apr 2014 9:14 pm    
Reply with quote

Got it
View user's profile Send private message Send e-mail
Jerome Hawkes


From:
Fayetteville, North Carolina, USA
Post  Posted 13 Apr 2014 3:05 am    
Reply with quote

i've seen Eddie up close in small clubs a couple times with AATW - playing his quad-8. he is certainly a neck jumper. he almost always played at least 2 necks and sometimes, but rarely all 4. He told me when AATW flies and he can't take the quad, he will use a S-8 in A6 for the whole show (obviously) .
_________________
'65 Sho-Bud D-10 Permanent • '54 Fender Dual-8 • Clinesmith T-8 • '38 Ric Bakelite • '92 Emmons D-10 Legrande II
View user's profile Send private message Send e-mail
Robbie Bossert

 

From:
WESCOSVILLE,PA,U.S.A.
Post  Posted 13 Apr 2014 9:42 am    
Reply with quote

One neck has Leon's E13 tuning.....
Robbie
_________________
Emmons LeGrande III Pedal Steel. '54 Gibson lap steel, Peavey Nashville 1000, Nashville 400, Telecaster,Banjo, Peavey Power slide Lap Steels ,Effects, and other assorted crap.....
View user's profile Send private message Send e-mail
David Bardenstein

 

From:
Ohio, USA
Post  Posted 13 Apr 2014 11:37 am    
Reply with quote

Thanks again to all for the guidance. Can I ask another question. I currently have a Carter starter pedal steel which I probably will end up parting with. However, is it reasonable to string it as an 8 string A6 to really start learning lap steel while I look for an 8 string or is it really better to have the lap 8? I am running out of instrument space and so dont realistically see just adding.

If I use the Carter, I assume I would string the closer 8 strings. Is there anything about positioning/ergonomics that I need to add in if I am using a pedal steel as a lap steel because of the need to rely on slants for the nonpedal style?
Also what is the effect of scale length on playability (as opposed to sound)

Thanks again

Dave
View user's profile Send private message Send e-mail
David Bardenstein

 

From:
Ohio, USA
Post  Posted 13 Apr 2014 11:38 am     eddie rivers
Reply with quote

Yes that is how I learned about his was an AATW show where I was able to get close and watch him jump necks Amazing.
View user's profile Send private message Send e-mail
Stephen Baker

 

From:
Lancashire, UK
Post  Posted 13 Apr 2014 1:58 pm    
Reply with quote

Hey David, if you’d missed that video maybe you missed this one too. http://www.youtube.com/watch?v=JAbpeZ-y1eQ. Steve
View user's profile Send private message Send e-mail

All times are GMT - 8 Hours
Jump to:  
Please review our Forum Rules and Policies
Our Online Catalog
Strings, CDs, instruction, and steel guitar accessories
www.SteelGuitarShopper.com

The Steel Guitar Forum
148 S. Cloverdale Blvd.
Cloverdale, CA 95425 USA

Click Here to Send a Donation

Email SteelGuitarForum@gmail.com for technical support.


BIAB Styles
Ray Price Shuffles for Band-in-a-Box
by Jim Baron