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Post new topic chords using 7th string (compensated?) and/or 9th string...
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Author Topic:  chords using 7th string (compensated?) and/or 9th string...
Steve Lipsey


From:
Portland, Oregon, USA
Post  Posted 19 Feb 2014 10:49 pm    
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OK, time to move beyond the basic grips (strings 3,4,5,6,8,10....)

I've been getting an F# with my 6th String G#->F# lever, but mostly only using it for V chord, with E->D# lever (B D# F#)

What chords can I find if I really use the 7th string? With compensators on that string (and string 1), if that helps...

I also haven't used the 9th string, except for an open grip 7th chord....need to know what chords use 9th string as a root?

Thanks in advance for helping me get to the next level....
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Steve Lipsey


From:
Portland, Oregon, USA
Post  Posted 20 Feb 2014 12:43 am    
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OK, looking at it, so far I've found:
Bmaj 10/5, 8 w/E->D#, 7 (B D# F#)
F#min 7, 6B, 5A (F# A C#)
Dmaj 9, 7, 6B (D F# A)
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Williams S10s, Milkman Pedal Steel Mini & "The Amp"
Ben Bonham Resos, 1954 Oahu Diana, 1936 Oahu Parlor
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Scott Hay


From:
Portland, OR / Yucca Valley, CA USA
Post  Posted 20 Feb 2014 1:49 am    
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Hey Steve,

Here's some I like

A+B pedals down position
Strings 7 5 4, gives you a nice 6th chord sound.

Pluck all three strings at once and slide into it. Start two frets back and walk up.

B pedal. Two frets above the open position:
Strings 9, 7, 6, 5
Inversion: 1 3 5 6

Nice 6th chord. Press the A pedal, you just moved your 6th tone to a major 7 tone, nice Maj7 inversion. Add string 8 you have a nice Sus2 / 9th sound.

Use your bar to play one fret above on string 5 you can get nice Dom7 runs in that pocket.

B pedal is key because it makes your 3rd tone a 5th tone two above.

From open position works like this:

String 9: b7 - 1
String 8: 1 - 2
String 7: 2 - 3
string 6: 3, 4with b pedal - 5 with b pedal
String 5: 5 - 6, +A makes 7
String 4: root - 9

See it?

Last one for now....

Strings 9, 6, 5 + A pedal gets a nice 13 chord. Go big and rake 9 and 8 with your thumb and it sounds great.

Same grip without string 8 is a nice sharp 9 chord 1 fret below pedals down position. Call me and I can elaborate, give you some use case scenarios.
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Ian Rae


From:
Redditch, England
Post  Posted 20 Feb 2014 8:12 am    
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Strings 9,8,6 give a dom7 - resolve it with B pedal, and D lever lowering 9 a half tone.
Add a plain dominant before those 3 frets up with D and F.
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Greg Cutshaw


From:
Corry, PA, USA
Post  Posted 20 Feb 2014 8:25 am    
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I've got a ton of these with sound files on the page linked below and more on other pages such as my "Night Life On E9" page.

http://www.gregcutshaw.com/C6th%20On%20E9th/C6th%20On%20E9th.html


Hear Tab 37


Tab 37 in pdf format

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Will Cowell

 

From:
Cambridgeshire, UK
Post  Posted 20 Feb 2014 1:18 pm    
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9, 6 & 5 with A & B pedals gives a nice maj7 - look for the tonic 2 frets down on string 8. E.g. A is at fret 5, 8/6/5 no pedals. Amaj7 is at 7, 9/6/5 with A & B.
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Will Cowell

 

From:
Cambridgeshire, UK
Post  Posted 20 Feb 2014 1:19 pm    
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9, 6 & 5 with A & B pedals gives a nice maj7 - look for the tonic 2 frets down on string 8. E.g. A is at fret 5, 8/6/5 no pedals. Amaj7 is at 7, 9/6/5 with A & B.
_________________
Williams 700 series keyless U12,
Sierra keyless U14, Eezzee-Slide & BJS bars
Moth-eaten old Marshall 150 combo
Roland Cube 80XL, Peterson Strobo+HD,
EarthQuaker Despatch Master for reverb / delay
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Dave Grafe


From:
Hudson River Valley NY
Post  Posted 20 Feb 2014 2:49 pm    
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You need to bring your guitar over here, Steve, it's way easier to show you that stuff than to try to tell you...
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Steve Lipsey


From:
Portland, Oregon, USA
Post  Posted 20 Feb 2014 5:05 pm     Thanks, guys!
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Scott, Ian, Greg, Will, and Dave (and anyone who adds to it later)....thanks for your input, will take me a while to work through it all and see how it hangs with everything else...really appreciated!

Scott- Will get in touch when I've played with all this a bit to see where it goes...

Dave- Would love to drop by, sent you a PM.
-S
_________________
https://www.lostsailorspdx.com
Williams S10s, Milkman Pedal Steel Mini & "The Amp"
Ben Bonham Resos, 1954 Oahu Diana, 1936 Oahu Parlor
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Scott Hay


From:
Portland, OR / Yucca Valley, CA USA
Post  Posted 20 Feb 2014 5:45 pm    
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Right on Steve. What we really need is you me and Dave at Muller's for a proper idea jam.

I have a much needed break from gigging the next toe weeks and an Emmons D10 about to be ready for shredding.

Speaker phone / Skype works too

If only I could get this kind or response to my C6 thread Smile
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