| Visit Our Catalog at SteelGuitarShopper.com |

Post new topic Vince Gill has a comment about the devaluation of music
Goto page 1, 2, 3  Next
Reply to topic
Author Topic:  Vince Gill has a comment about the devaluation of music
chas smith R.I.P.


From:
Encino, CA, USA
Post  Posted 30 Jun 2012 2:49 pm    
Reply with quote

View user's profile Send private message
Mat Rhodes

 

From:
Lexington, KY, USA
Post  Posted 30 Jun 2012 3:16 pm    
Reply with quote

http://bb.steelguitarforum.com/viewtopic.php?t=226613&start=0
View user's profile Send private message Send e-mail
Douglas Schuch


From:
Valencia, Philippines
Post  Posted 30 Jun 2012 4:21 pm    
Reply with quote

There is, of course, another side to this. In 1938 Benny Goodman played Carnegie Hall: the top performer at the top venue in America for the day. Cost was $2.75 for a ticket (inflation calculator says that's about $42 in today's money). Average ticket prices for some big name country stars today:

Kenny Chesney $79
Taylor Swift $72
Alison Krauss and Union Station $53

Ticket Price for Vince Gill in Oct in Minneapolis: $50-60. In Chatauqua, NY in Aug: $101 - 139 from a scalper.

Now, Vince Gill is not at the same level in popularity that Benny Goodman was in 1938. Far from it. Top performers today get over $100 average ticket prices.

So, in effect, the easy money of not touring, just cranking out records may have faded a bit. Well, there is the old-fashioned way of bringing the music to the fans: hit the road and tour. That, if anything, is paying more than ever.

Cheers,

Doug
_________________
Bringing steel guitar to the bukid of Negros Oriental!
View user's profile Send private message Send e-mail
Kevin Hatton

 

From:
Buffalo, N.Y.
Post  Posted 30 Jun 2012 4:33 pm    
Reply with quote

Douglas, you are profoundly correct. Good observation.
View user's profile Send private message Send e-mail Visit poster's website
chas smith R.I.P.


From:
Encino, CA, USA
Post  Posted 1 Jul 2012 1:31 pm    
Reply with quote

Quote:
So, in effect, the easy money of not touring, just cranking out records may have faded a bit. Well, there is the old-fashioned way of bringing the music to the fans: hit the road and tour. That, if anything, is paying more than ever.

Doug, you have a valid point, on one hand, when you are talking about the people playing on the "upper levels", but, as an example, one of the bands I play with signed some paperwork and we ended up having to go out on a van tour for a week of one-nighters. La - San Jose - Sacramento - Reno - Portland - Seattle - Couer d'Alene - Boise, load-in at 9, go on around midnight, back to the motel at 2am back in the van at 8am drive to the next venue - load in at 9... No problem when you're 25, but when you're over 60 ... There's a reason why old guys don't do it like that.

Then, for myself, there's the music that can't be toured, easily. Back in the 70's, when I was in school, I knew composers that supplemented their income with record sales. A composer might spend their life building up a portfolio of compositions and recordings and perhaps get a little financial return for all of the work and expense.

I recently got some attention when one of my compositions was used in the Hunger Games movie, that included a lo-ball take-it-or-leave-it buy out, that helped pay the bills that month, and I've gotten more attention in the last few months than I've gotten over the past 40 years.

http://www.youtube.com/watch?v=PwZp336T65g&feature=related

I noticed that it's up on Youtube and there's been a lot of hits, and so, out of curiosity, I read what some of the comments are....one of which, someone says "how do I get an MP3 of this?" My 1st thought was, well you click on the iTunes link and you can get one for 99 cents, but no, the next comment was how they can Google Youtube to mp3 and get a link where they can get it for free.

Now, granted, I'm a composer of (un-popular) music and I do it for the love of it, I've spent the majority of my life learning my craft and I would do it again, in an instant, and the thousands of dollars I spent for my studio could be compared to somebody else buying a Porsche. I am also reminded that people pay for their pleasures. $5 for a latte, $2 or $3 for an ice cream cone, that lasts how long, how much for a movie ... and then there's the pleasure of listening to music.
View user's profile Send private message
Jim Cohen


From:
Philadelphia, PA
Post  Posted 1 Jul 2012 3:43 pm    
Reply with quote

Chas, you might could get a gig at the Olympics... Whoa!
_________________
www.JimCohen.com
www.RonstadtRevue.com
www.BeatsWalkin.com
View user's profile Send private message Send e-mail Visit poster's website
Dave Hopping


From:
Aurora, Colorado
Post  Posted 1 Jul 2012 4:52 pm    
Reply with quote

Jim Cohen wrote:
Chas, you might could get a gig at the Olympics... Whoa!


Priceless!

(so to speak)
View user's profile Send private message Send e-mail Visit poster's website
chas smith R.I.P.


From:
Encino, CA, USA
Post  Posted 1 Jul 2012 5:23 pm    
Reply with quote

Jim, touche', you got me.
http://www.bbc.co.uk/news/uk-england-london-18652088
View user's profile Send private message
Jim Cohen


From:
Philadelphia, PA
Post  Posted 1 Jul 2012 5:42 pm    
Reply with quote

I didn't want you to feel left out, Chas. Sooner or later I get everybody; it's a form of sport, you see... Wink
_________________
www.JimCohen.com
www.RonstadtRevue.com
www.BeatsWalkin.com
View user's profile Send private message Send e-mail Visit poster's website
chris ivey


From:
california (deceased)
Post  Posted 3 Jul 2012 12:11 pm    
Reply with quote

'i got you, babe!'...sonny and cher

i tend to sympathize with vince, who's art is gold to me.
and my friends and i have worked low level gigs for close to the same pay for 40 years while new car prices have climbed from $4000 to $40,000 ...and they're uglier.
View user's profile Send private message
Dave Hopping


From:
Aurora, Colorado
Post  Posted 4 Jul 2012 7:12 pm    
Reply with quote

Vince is probably a victim of not dying young.Stick around long enough and your hits become your 401K.If you had enough of them,you can go out and play them (at Branson? Vegas?) for those who knew you when,plus a few younger folks who have better than average taste.For the few who did that,it's a pretty good living,but a pop artist's influence on the public usually ends right about the same age that lawyers start thinking about getting into politics.Vince undoubtedly has some excellent music yet to write and record,but the No.1s probably lie more in the past than the future,and the awards will likely be more Lifetime Achievement than Best New Talent.

D'ya think he might try for some publicity by becoming The Artist Formerly Known as Vince? Rolling Eyes
View user's profile Send private message Send e-mail Visit poster's website
b0b


From:
Cloverdale, CA, USA
Post  Posted 4 Jul 2012 7:24 pm    
Reply with quote

I don't buy vocal music much, but Vince Gill is one of the few singers in my CD collection. I bought the These Days boxed set, a greatest hits collection and a couple of others. His music is some of the best, well worth the price of a hard CD.

I don't have the fart app. I'm sure that my own farts are better than any that come out of a "smart phone".
_________________
-𝕓𝕆𝕓- (admin) - Robert P. Lee - Recordings - Breathe - D6th - Video
View user's profile Send private message Visit poster's website
Bill Dobkins


From:
Rolla Missouri, USA
Post  Posted 4 Jul 2012 10:03 pm    
Reply with quote

Vince to me is what today's country music should be.
_________________
Custom Rittenberry SD10
Boss Katana 100 Amp
Positive Grid Spark amp
BJS Bars
Z~Legend Pro,Custom Tele
Honor our Vet's.
Now pass the gravy.
View user's profile Send private message Send e-mail
LJ Eiffert

 

From:
California, USA
Post  Posted 6 Jul 2012 4:11 pm    
Reply with quote

Vince and all these artists had power and let it go to the big heads who ran them anyway.Such Artist like Ricky Skaggs,Clint Black,Mark Wills,Randy Travis,Billy Dean,Tracy Lawrence,Lacy J.Dalton,Holly Dunn,Suzy Bogguss,Michelle Wright,Chely Wright,Lee Ann Womack,Kentucky Headhunters,Confederate Railroad,Lonestar,Diamond Rio,Joe Diffie,Kathy Mattea,Mickey Gilley,Anne Murray,Gary Morris,Steve Wariner,Cris Hellman,Tanya Tucker,Michael Martin Murphy and so many more. Whoa! I bet " Reba " is happy " Garth "! Winking Uncle = Leo J.Eiffert,Jr.
View user's profile Send private message Send e-mail
Mickey Adams


From:
Bandera Texas
Post  Posted 7 Jul 2012 5:02 am    
Reply with quote

I can get fart noises on my phone????....COOL!
_________________
ARTIST RELATIONS: MSA GUITARS
2017 MSA LEGEND XL D10, S10, Studio Pro S12 EXE9
Mullen G2, Rittenberry S10, Infinity D10, Zumsteel 8+9
Anderson, Buscarino, Fender, Roman Guitars, Sarno Octal, Revelation Preamps, BJS BARS, Lots of Blackface Fenders!
View user's profile Send private message Send e-mail Visit poster's website
chris ivey


From:
california (deceased)
Post  Posted 8 Jul 2012 9:14 am    
Reply with quote

leo..your post doesn't make sense.
View user's profile Send private message
Michael Johnstone


From:
Sylmar,Ca. USA
Post  Posted 8 Jul 2012 9:17 pm    
Reply with quote

Quote:
leo..your post doesn't make sense.


Don't that make no sense "what-so-never". Question >>??<< Idea Sho-Nuff Uncle Mike says "Yep-Sure" Alien .
View user's profile Send private message Send e-mail
LJ Eiffert

 

From:
California, USA
Post  Posted 9 Jul 2012 11:52 am    
Reply with quote

Nothing makes sense to no one who don't know how this music business works.It's ashame that the same people who are crying about the change to how they got dropped is the ones who made the change in the first place.Old dogs and cats can't fit the new Air Waves anymore because to many young people who are running them.Just keep Steeling the Steel licks and the ones who can't will understand it makes no sense.That's my point about all of this statement of Vince words.He's still in the big game of the music business.This whole Government of music notes don't make sense nor we the people for the people and we call that Us United! Happy Birthday...... Winking Uncle = Leo J.Eiffert,Jr. PS: Let's have a jam Session.... Cool
View user's profile Send private message Send e-mail
Barry Blackwood


Post  Posted 9 Jul 2012 3:10 pm    
Reply with quote

Thanks, that cleared it up …..
View user's profile Send private message Send e-mail
Darrell Criswell

 

From:
Maryland, USA
Post  Posted 9 Jul 2012 8:58 pm    
Reply with quote

I think our society has very pathetic values. What does money have to do with art?

My favorite musicians have been people who had a hard time making a living in music.

Perhaps the greatest musician of all time, JS Bach, was not famous in his day as a composer, and just lived an average life as a music teacher and performer/composer for a church.

I have heard Vince Gill play live and he is good, but not necessarily better than people who just play in night clubs and have never cut a record.
View user's profile Send private message Send e-mail
Mark Eaton


From:
Sonoma County in The Great State Of Northern California
Post  Posted 9 Jul 2012 10:14 pm    
Reply with quote

Wow Barry, it's getting clearer as the thread goes on here, isn't it?

I have seen Vince Gill play live and he is good, and in my opinion he's better than just about anyone I have seen live in nightclubs that have never cut records, along with many of the people I've seen in nightclubs whom have cut records.
_________________
Mark


Last edited by Mark Eaton on 9 Jul 2012 10:14 pm; edited 1 time in total
View user's profile Send private message Send e-mail
Jim Cohen


From:
Philadelphia, PA
Post  Posted 9 Jul 2012 10:14 pm    
Reply with quote

Darrell Criswell wrote:
I have heard Vince Gill play live and he is good, but not necessarily better than people who just play in night clubs and have never cut a record.

Darrell, well I guess you've seen him live, which I haven't, and formed your own opinion, but after watching this video, man, I don't know of many unknown night club players who are as talented as this, in writing, singing and playing guitar.

http://youtu.be/G3SavqJdVjk
_________________
www.JimCohen.com
www.RonstadtRevue.com
www.BeatsWalkin.com
View user's profile Send private message Send e-mail Visit poster's website
Kevin Hatton

 

From:
Buffalo, N.Y.
Post  Posted 9 Jul 2012 10:59 pm    
Reply with quote

Vince Gill is a world talent. Far above any average bar musician. Ridiculous statement.
View user's profile Send private message Send e-mail Visit poster's website
Jim Cohen


From:
Philadelphia, PA
Post  Posted 10 Jul 2012 3:57 am    
Reply with quote

Well, Kevin, to be fair, he didn't say "average" bar picker but, even so, it's pretty hard to imagine anyone as good as this who hasn't been discovered yet -- but I suppose it is possible.
_________________
www.JimCohen.com
www.RonstadtRevue.com
www.BeatsWalkin.com
View user's profile Send private message Send e-mail Visit poster's website
Darrell Criswell

 

From:
Maryland, USA
Post  Posted 10 Jul 2012 5:11 am    
Reply with quote

I didn't say Vince wasn't good or great or compare him to some average musician and I was just referring to my subjective impression of his talents compared to others I have heard, and most of the people who I liked also had a history of some commercial success. I really enjoyed him when I heard him and loved the coal mining songs he sang, but he wasn't an order magnitude better than some other people who I have heard who haven't achieved commercial status. That doesn't lessen his talents or prove the people I liked were good, it just my impression, however:

The development of fame wealth, and celebrity status doesn't necessarily correlate with talent or intelligence. Although many pop singers may be very talented, many are not considered such by people with a lot of musical education. If you think what sells is indicative of great musicianship just go the current or past country charts.

The point I was trying to make is we shouldn't correlate making money with artistic value, they are two different things. Some people who become rich do so because of talent or intelligence, others because they just happen to be at the right place at the right time, or have a sponsor who propels them to the top.

Vince should not feel devalued musically because he is no longer making as much money as he used to make. There is and shouldn't be an entitlement because of previous commercial success to having heaps of money given to you in the future. Commercial success is not the indicator of artistic talent and comparing the value of his songs to a "fart app" is just ridiculous, they aren't comparable, they are two different things. Music doesn't have to have financial value or popular recognition to be of value.

History is full of people whose talents aren't recognized until well after their death, and certainly many people are never recognized either in life or after their death. The steel guitar players who I like most are considered good, but aren't as successful as Paul Franklin or others, and some not all that successful commercially. And this certainly isn't limited to music, there are numerous examples from history, art, literature etc. I remember well an article I read in the New York Times 30 years ago about the art found on the walls of caves in France made about 30,000 years ago, it said something like: art fit for the most discriminating connoisseur.
View user's profile Send private message Send e-mail

All times are GMT - 8 Hours
Jump to:  
Please review our Forum Rules and Policies
Our Online Catalog
Strings, CDs, instruction, and steel guitar accessories
www.SteelGuitarShopper.com

The Steel Guitar Forum
148 S. Cloverdale Blvd.
Cloverdale, CA 95425 USA

Click Here to Send a Donation

Email SteelGuitarForum@gmail.com for technical support.


BIAB Styles
Ray Price Shuffles for Band-in-a-Box
by Jim Baron