10 strings, what to do?

John Bushouse · Posted 6 Aug 2011 7:38 pm

Is there any standard-ish tuning for 10-strings (not counting the Alkire tuning)? Aside from dropping two strings and making it an 8-string...

8 strings make my head hurt. 10 strings might make it explode. Or implode.

Robert Jette · From: Dallas, Tx.

Here's the advice that I received from Andy Gibson.

Try adding a low bass A and an F# on the bottom 2 strings

E
C
A
G
E
C
A
G
F#
A low

Or try this one...
G
E
C
A
G
E
C
A
F#
A low

With these you have an added D9th chord to the tuning. Just think 2 above your normal chord position in C6th tuning. Whenever you want a 9th chord it's 2 steps above the position it would be in C6th adding the 9th string into the mix

Jesse Adams · From: Orlando, Florida, USA

I don't know about any standard ten string tunings aside from the pedal tunings but those might be a good place to start. What I would suggest is think about the voicings you want and put them together. I added a G# to the top of my standard 8 string A6 tuning and it lets me gets some of the don helms kind of sounds from an A6, plus gives me a major 7 chord on top. if I had a ten string I would go for a hybrid tuning. Put a b7 and a 4 on the bottom to also be able to tap into the swing 13th kind of sound or something like that. if you're only working with one neck it's important to look for versatility from your tuning.

Hope that's helpful!
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Edward Meisse · From: Santa Rosa, California, USA

Tom Morrell got very good results with G#-F#-E-C#-B-G#-F#-E-D-E from top to bottom.
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John Allison · From: Austin, Texas, USA

You might also consider something like this:

G#
E
C#
B
G#
F#
D
B (or A)
G#
E

That E13 can be retuned to C6 in a jiffy:

G
E
C
A
G
E
C (or C# or D)
A (or Bb)
G (or A)
E (or F)

My thinking is that with any single neck steel, you should try to string and tune in such a way as to maximize the possibilities for finding different tunings. Those two extra strings add a lot of possibilities in extending into the lower range and building more complex chords.

If you like the idea of re-entrant strings, there are dozens of possibilities, but I'm more comfortable with intervals progressing uninterrupted from low to high.
_________________
John Allison
Allison Stringed Instruments
Austin, Texas
www.allisonguitars.com

Ryan Barwin · From: Hamilton, Ontario, Canada

I'd use DFACEGACEG (low to high). It's extremely versatile, especially if you're good with slants.
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Lee Cecil · From: North Carolina, USA

I am awaiting delivery of a 10 string, and my idea is to use some sort of extended Leavitt tuning. Maybe an F and a G on top for a nice 6th voicing on strings 5,3,2,1, and an F# and then an A on the bottom, with the Leavitt tuning in the middle:

G
F
D
C
Bb
G
E
C#
A
F#

Haven't tried it yet, but just looking at it, I see a lot of chordal possibilities.

Bill Hatcher · From: Atlanta Ga. USA

[quote="Lee Cecil"]I am awaiting delivery of a 10 string, and my idea is to use some sort of extended Leavitt tuning. Maybe an F and a G on top for a nice 6th voicing on strings 5,3,2,1, and an F# and then an A on the bottom, with the Leavitt tuning in the middle:

lee. i have recorded a bunch of tunes with extended leavitt. it is a great tuning for chords. i will email you some links to them.

Lee Cecil · From: North Carolina, USA

Thanks, Bill, I'm always interested in your arrangments. I've heard a few of your tunes, and they're great, so any links would be appreciated. In fact, I think you and I emailed at one point a year or so ago about Leavitt extensions and you suggested to me that whatever intervals I added, I needed to have a sixth chord voicing somewhere. My post should have mentioned that was originally your suggestion; my apologies. Now that I finally have a 10 string on the way, I can actually try that out. Thanks again.

Bill Hatcher · From: Atlanta Ga. USA

John Bushouse · Posted 10 Aug 2011 8:50 pm

Thanks, everyone, for your suggestions!

Robbie Daniels · From: Casper, Wyoming, USA

I have a custom made S12 non-pedal that a fiend and I built that is tuned C6 as follows:
1 - D
2 - F
3 - G
4 - E
5 - C
6 - A
7 - G
8 - E
9 - D
10 - C
11 - A
12 - F
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Carter D12, MSA S12, 12 String Custom Made Non-Pedal, Evans FET 500LV, Evans SE200, Peavey Nashville 400, Fender Steel King

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