| Visit Our Catalog at SteelGuitarShopper.com |

Post new topic C6th - lowering 9 a whole tone with pedal 8?
Reply to topic
Author Topic:  C6th - lowering 9 a whole tone with pedal 8?
Eric Philippsen


From:
Central Florida USA
Post  Posted 8 Jan 2011 4:21 pm    
Reply with quote

In a thread posted a while ago Randy Beavers said that he lowers his 9th string (C6th) a whole tone with pedal 8 instead of the standard half-tone. He said he's had that change for 20-some years. It gives a b9 chord.

So, I said 'why not' and changed my copedant to do the same. But I can't seem to see or hear how that change can be so useful. Since I'm a far cry from Randy's ability and knowledge can anybody give me some examples or progressions that I might use?

Thanks.
View user's profile Send private message Send e-mail
John Swain


From:
Winchester, Va
Post  Posted 10 Jan 2011 1:08 pm    
Reply with quote

Eric, if you can combine that change on pedal 8 with KL raising string 8 a half step(A-Bb) you get most of the notes Doug Jernigan has on his 4th pedal...His explanation of one use was a 1625 or 3625 turnaround..ie:in C 7th fret open,6th fret with pedal8 + KL,5th fret open,4th fret with pedal8 + KL....play around it, different string grips etc....Hope this helps..JS
View user's profile Send private message Send e-mail
David Mason


From:
Cambridge, MD, USA
Post  Posted 10 Jan 2011 1:42 pm    
Reply with quote

By "open" you mean with the 4th and 8th string raised to Bb, right? Though the open 6th chords are winners too, the 7ths play well with others.
View user's profile Send private message Send e-mail
John Swain


From:
Winchester, Va
Post  Posted 10 Jan 2011 1:57 pm    
Reply with quote

No, I mean open (no pedals!).. on 7th fret Cmaj7 or Em,5th fret Dm....JS
View user's profile Send private message Send e-mail
Rick Schmidt


From:
Prescott AZ, USA
Post  Posted 12 Jan 2011 10:15 pm    
Reply with quote

The pedal with the 9th string lowered a full tone and held down gives a lot of tritone substitutions.(Often used as passing chords in Jazz) You can also do a lot of the same things that you'd normally use the standard pedal #5 for. Think the "Hold it" lick...without moving your foot! A cool, jazzy I-IV trick. e.g.:

A7#9= Fret 12, strings 10,7,5,&3

D13= Fret 11, strings 9,7,5, & 3

Try descending chromatically down the neck, while only changing the root with your thumb from string 10 to string 9.

Like John S. said, it's really cool with the A-A#'s pull, and IMHO really really cool if you can also raise the E's to F on the other knee!


Cool
View user's profile Send private message Send e-mail
Rick Schmidt


From:
Prescott AZ, USA
Post  Posted 12 Jan 2011 10:24 pm    
Reply with quote

BTW I'd like to give credit to our resident harmony guru, i.e. John Steele. He told me about this change in the early days of the Steel Guitar Forum. I use that pedal WAAAAY more now!

Thanks John, and thanks b0b as always for this great resource!
View user's profile Send private message Send e-mail

All times are GMT - 8 Hours
Jump to:  
Please review our Forum Rules and Policies
Our Online Catalog
Strings, CDs, instruction, and steel guitar accessories
www.SteelGuitarShopper.com

The Steel Guitar Forum
148 S. Cloverdale Blvd.
Cloverdale, CA 95425 USA

Click Here to Send a Donation

Email SteelGuitarForum@gmail.com for technical support.


BIAB Styles
Ray Price Shuffles for Band-in-a-Box
by Jim Baron