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Post new topic Any A6 Players out there ?
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Author Topic:  Any A6 Players out there ?
Tony Dingus

 

From:
Kingsport, Tennessee, USA
Post  Posted 15 May 2010 5:13 pm    
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I went back to a D10 2 years ago and I never really learned C6 then but got the itch again. I've played E9 for 32 years and dobro for 33 and it seems like it would be easier for me to go G6 or A6 which I can relate some dobro stuff. I like Herb Remington's playing too and he's a A6 man.

Tony
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Ryan Barwin


From:
Hamilton, Ontario, Canada
Post  Posted 15 May 2010 6:38 pm    
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I put the back neck of my D-10 in A6th for a while. It had a much fuller sound than C6th. I didn't use Herb Remington's setup...just a fairly standard C6th setup but transposed down to A. The tuning was A D F# A C# E F# A C# B, from low to high. I'll probably use that tuning again at some point.

There's no reason not to tune it to A6th, and it probably would relate to dobro or non-pedal tunings better, as well as E9th.
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Ulric Utsi-Åhlin

 

From:
Sweden
Post  Posted 16 May 2010 3:34 am    
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I actually converted to A 6th for a few years and,as
I recall,it felt OK...somewhere along the line,though,
I must´ve entered a brainstorming phase,and I´d be
back in C 6th,this time for good,it seems...I still
dig A 6th,though.McUtsi
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Scott Denniston


From:
Hahns Peak, Colorado, USA
Post  Posted 16 May 2010 1:25 pm    
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Did you guys alter your string guages to go down 1 1/2 steps or just leave em the same?
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Ryan Barwin


From:
Hamilton, Ontario, Canada
Post  Posted 16 May 2010 1:56 pm    
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Scott Denniston wrote:
Did you guys alter your string guages to go down 1 1/2 steps or just leave em the same?


Yes, I changed the string gauges. It was necessary because it wouldn't lower some of the strings far enough since they were already so loose. Also, the heavier gauges are part of the difference in sound. For example, Herb Remington uses a wound 3rd string, which you couldn't use on C6th. The heavier gauges give it a much bigger and fuller sound.
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Scott Denniston


From:
Hahns Peak, Colorado, USA
Post  Posted 17 May 2010 6:15 am    
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Do you think maybe one guage per string would do it? OR- does anyone have a list of guages for an A6 tuning? I'd like to get that fatter sound & also think I'd be more inclined to play on that neck more in a jam situation if I didn't have to stop and reorganize so much.
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Tony Dingus

 

From:
Kingsport, Tennessee, USA
Post  Posted 17 May 2010 6:23 pm    
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Scott, Herb Remington's tuning and string gauges are on the copedant section of the forum.

Tony
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Scott Denniston


From:
Hahns Peak, Colorado, USA
Post  Posted 17 May 2010 7:04 pm    
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Thanks Tony. Think I'll order a set like that.
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Drew Howard


From:
48854
Post  Posted 18 May 2010 12:15 pm    
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Herb Remington
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Stephen Gambrell

 

From:
Over there
Post  Posted 20 May 2010 12:44 am    
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How does Sonny Curtis tune?
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Ryan Barwin


From:
Hamilton, Ontario, Canada
Post  Posted 20 May 2010 6:59 am    
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Someday, I'd like to get an S-12 with an A6th setup like this...


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Michael Lee Allen

 

From:
Portage Park / Irving Park, Chicago, Illinois
Post  Posted 20 May 2010 9:28 am    
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Deleted.
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"Wisdom does not always come with age. Many times age arrives alone."


Last edited by Michael Lee Allen on 26 Feb 2011 9:48 am; edited 1 time in total
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Ryan Barwin


From:
Hamilton, Ontario, Canada
Post  Posted 20 May 2010 12:47 pm    
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Michael Lee Allen wrote:
A6th here but most often lowered to Ab6th.
MLA


Why do you lower it?
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Michael Lee Allen

 

From:
Portage Park / Irving Park, Chicago, Illinois
Post  Posted 20 May 2010 3:44 pm    
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Deleted.
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Last edited by Michael Lee Allen on 26 Feb 2011 9:50 am; edited 2 times in total
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Bob Strum

 

From:
Anniston Alabama
Post  Posted 20 May 2010 4:15 pm     A6
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I've used A6 since the 50s. You can hear a 12 string A6 on Charles Tilley's site.
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