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Author Topic:  Ralph Mooney pedal question
Keith Hilton

 

From:
248 Laurel Road Ozark, Missouri 65721
Post  Posted 5 Apr 2010 9:18 pm    
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Ralph Mooney has a pedal that lowers his 3rd string B to a Bflat. I have a couple of questions about this change: How does Ralph use this change when used alone, and against what chord? What other pedals and knee levers does Ralph use with this B to Bflat change?
The first four strings on Ralph Mooney's guitar are tuned (1)G#,(2)E,(3)B,(4)G#.
If you use only the B to Bflat pedal, and lower the B to Bflat, you have the following notes: G#,E,Bflat,G#. Ralph once told me he was a nasty player, not a pretty player. By this he meant he played chords with a lot of tension, like high pitched rolling 7th chords. He used these rolling 7th chords almost like a blues player at times. What chord can the notes G#,E,Bflat,G# be used against to create tesion like a 7th chord?
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Jeremiah Wade

 

From:
Bladenboro, NC
Post  Posted 5 Apr 2010 10:00 pm    
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E G# Bb D yields E7b5 without the D (b7). Not all that practical without the b7, okay if the band covers that note. Mooney uses a alot of blue notes. i.e. b3, b5, and b7's. The B to Bb change (LKV on my guitar) the 3 to b3(Split) in the pedals down position yielding cm7 at the 3rd fret. At the root position it provides the C7b5. The b3 wants to resolve to 3 and the b5 resolves to 5 or 4.

I think Mooney used this change for getting notes from the true blues scale, which can sound nasty.

The 5th and 9th can be ALTERED (raised or lowered) and give a different flavor of dominant, major, or minor chord.

C7#9 C7b9b5 C7#11 C7 C9 C13 etc.

All of the alterations just add color and the basic chord is still dominant 7th. I hope this helps a little. Cheers, JWW
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Jim Robbins

 

From:
Ontario, Canada
Post  Posted 6 Apr 2010 5:42 am    
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Keith, what do you (or what did Ralph Mooney) mean by "rolling" 7th chords?

By the way, G#,E,Bflat,G# can be part of an F# 9 (Bflat = A sharp, which is the 3rd, E is the 7th & G# is the 9th) or part of a C7 aug (E is the 3rd, G# is the aug 5 or flat 13, Bb is the 7th). There are other possibilities, those are the tamest.
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Keith Hilton

 

From:
248 Laurel Road Ozark, Missouri 65721
Post  Posted 6 Apr 2010 7:44 am    
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Sorry about that Jim. By rolling 7th, I mean a 7th sounding "TRIAD" with each string picked individually one after the other in a quick fashion.
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Robbie Daniels

 

From:
Casper, Wyoming, USA
Post  Posted 6 Apr 2010 2:13 pm    
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I lower both my B 's. Not only get a flatted fifth, but say like D on the 10th fret the lowered 5th string will yield a nice D9 on the eighth fret to progress to G or the like on sixth fret.
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Jim Robbins

 

From:
Ontario, Canada
Post  Posted 8 Apr 2010 6:38 am    
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Thanks, Keith.
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