| Visit Our Catalog at SteelGuitarShopper.com |

Post new topic What chord does A, B, and E get me?
Reply to topic
Author Topic:  What chord does A, B, and E get me?
Rick Contino


From:
Brattleboro, Vermont
Post  Posted 13 Feb 2010 6:34 am    
Reply with quote

I've been using this chord a lot lately and am trying to incorporate musical terms into my practice. So what is the name of the chord I get by using A and B pedals with the E lever?
View user's profile Send private message Send e-mail
Bo Borland


From:
South Jersey -
Post  Posted 13 Feb 2010 6:40 am    
Reply with quote

that would depend on what strings you are striking
View user's profile Send private message Send e-mail Visit poster's website
Herb Steiner


From:
Briarcliff TX 78669, pop. 2,064
Post  Posted 13 Feb 2010 7:01 am    
Reply with quote

If you're hitting the basic grips (10, 8, 6, 5, 4, 3), you're playing a dominant 9th chord, omitting the root tone. You could also include strings 1, 2, and 7. I guess that's every string except 9. Smile

It's also a minor 6th, again with the basic grips, root on string 7.

The chord could be called several things and used in various places, however.
_________________
My rig: Infinity and Telonics.

Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
View user's profile Send private message Send e-mail Visit poster's website
Rick Contino


From:
Brattleboro, Vermont
Post  Posted 13 Feb 2010 8:29 am    
Reply with quote

Thanks Herb,

I've been using it more as a dominant 9th I believe. Out of curiosity what would be the root note omitted, say at the open position?
View user's profile Send private message Send e-mail
Herb Steiner


From:
Briarcliff TX 78669, pop. 2,064
Post  Posted 13 Feb 2010 8:37 am    
Reply with quote

Rick
The missing root tone is B, on strings 10 and 5. Pedal A raises this note to C#, giving you the 9th tone but denying you the root.
_________________
My rig: Infinity and Telonics.

Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
View user's profile Send private message Send e-mail Visit poster's website
Bo Borland


From:
South Jersey -
Post  Posted 13 Feb 2010 8:38 am    
Reply with quote

With your AB pedals in, you would have an A major chord in the open position using the main grips Herb noted. 345 456 568 6-8-10 If you engage the E lever lowering the E to Eb you are flatting the 5 tone in the key of A.
View user's profile Send private message Send e-mail Visit poster's website
Rick Contino


From:
Brattleboro, Vermont
Post  Posted 13 Feb 2010 8:50 am    
Reply with quote

Question answered. Thanks for the help guys!
View user's profile Send private message Send e-mail
Erv Niehaus


From:
Litchfield, MN, USA
Post  Posted 13 Feb 2010 8:51 am    
Reply with quote

A9th minus the C# and G.
View user's profile Send private message Send e-mail
Herb Steiner


From:
Briarcliff TX 78669, pop. 2,064
Post  Posted 13 Feb 2010 11:11 am    
Reply with quote

Erv
Rick was referring to pedals A and B with the E lever, not the individual notes A, B and E.

An A9th without the C# and the G isn't really much of an A9th. More like just an A note, a B note, and an E note. These would of course sound okay if played over an A9th, but wouldn't in and of themselves determine an A9th

In any chord, what determines whether the chord is major or minor is the presence of the third tone; in the case of A, the C#. Similarly, what determines if the chord is a dominant or not is the presence of the flatted seventh tone; in the case of A, the G note.

So, without either the third or the flat seventh, you ain't got very much of a chord, just a very vague partial.
_________________
My rig: Infinity and Telonics.

Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
View user's profile Send private message Send e-mail Visit poster's website
Tommy Auldridge


From:
Maryland, USA
Post  Posted 13 Feb 2010 1:18 pm     Augmented
Reply with quote

You Guys left out the way I think of it and how I use it most. In the open position it woud be an F7 aug. Because it makes the same notes as if you were on the first fret, playing strings 5-6 & 9 with 1/2 A pedal. Same thing open, strings 5-6 & 8 with pedals A B and E. DO WHAT?? Tommy.........
View user's profile Send private message Send e-mail
Tommy Auldridge


From:
Maryland, USA
Post  Posted 13 Feb 2010 1:33 pm     Augmented
Reply with quote

Herb: I beg your pardon. I am lowering the 8th. string. please re-think what I said. Thanks, Tommy
View user's profile Send private message Send e-mail
Herb Steiner


From:
Briarcliff TX 78669, pop. 2,064
Post  Posted 13 Feb 2010 1:35 pm    
Reply with quote

Tommy is correct, it would be an F7 aug as well. My mistake on the post I previously deleted when I realized what notes were in the chord.
_________________
My rig: Infinity and Telonics.

Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
View user's profile Send private message Send e-mail Visit poster's website
Erv Niehaus


From:
Litchfield, MN, USA
Post  Posted 14 Feb 2010 6:55 am    
Reply with quote

Herb,
Sorry about that.
I use the A, B & E combination to get a 9th chord.
View user's profile Send private message Send e-mail
Tommy Auldridge


From:
Maryland, USA
Post  Posted 14 Feb 2010 7:06 am     B-9
Reply with quote

Hey Erv: Don't you mean B9?
View user's profile Send private message Send e-mail
Erv Niehaus


From:
Litchfield, MN, USA
Post  Posted 14 Feb 2010 7:22 am    
Reply with quote

Tommy,
There are all kinds of chords possible with just those few notes indicated.
View user's profile Send private message Send e-mail
Clete Ritta


From:
San Antonio, Texas
Post  Posted 15 Feb 2010 6:56 am     Re: B-9
Reply with quote

Tommy Auldridge wrote:
Hey Erv: Don't you mean B9?


I think there's a joke in there somewhere. B9 = benign?

Clete
View user's profile Send private message Send e-mail
John Bechtel


From:
Nashville, Tennessee, R.I.P.
Post  Posted 15 Feb 2010 7:15 pm    
Reply with quote

(A)-P + (B)-P + (E)-K = A6b5 Open.
_________________
<marquee> Go~Daddy~Go, (No), Go, It's your Break Time</marquee> L8R, jb
My T-10 Remington Steelmaster
View user's profile Send private message Send e-mail
Olli Haavisto


From:
Jarvenpaa,Finland
Post  Posted 15 Feb 2010 11:27 pm    
Reply with quote

Ebm7b5, F#m6

The F7 aug is great, never thought about that, thanks Tommy !
_________________
Olli Haavisto
Finland
View user's profile Send private message Send e-mail
John Bechtel


From:
Nashville, Tennessee, R.I.P.
Post  Posted 16 Feb 2010 7:52 am    
Reply with quote

I don't quite understand why everyone is trying to make it so complicated, or; are you only trying to see how many different names are compatable? Just curious! They seem to be just a large collection of substitute-chords!
_________________
<marquee> Go~Daddy~Go, (No), Go, It's your Break Time</marquee> L8R, jb
My T-10 Remington Steelmaster


Last edited by John Bechtel on 16 Feb 2010 10:22 am; edited 1 time in total
View user's profile Send private message Send e-mail
Olli Haavisto


From:
Jarvenpaa,Finland
Post  Posted 16 Feb 2010 8:26 am    
Reply with quote

I don`t see anything too complicated here. Valid chord names with different functions. I see them on charts I have to play all the time. B9 covers only one function of the notes available.
_________________
Olli Haavisto
Finland


Last edited by Olli Haavisto on 16 Feb 2010 8:28 am; edited 1 time in total
View user's profile Send private message Send e-mail
Herb Steiner


From:
Briarcliff TX 78669, pop. 2,064
Post  Posted 16 Feb 2010 8:27 am    
Reply with quote

John
It's not really that complicated, if you're referring to Olli's last post. I'd already mentioned the minor 6th chord (useful in Hank Williams' "Ramblin' Man" e.g.), and the minor7b5 chord is a very commonly used chord as well.
_________________
My rig: Infinity and Telonics.

Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
View user's profile Send private message Send e-mail Visit poster's website

All times are GMT - 8 Hours
Jump to:  
Please review our Forum Rules and Policies
Our Online Catalog
Strings, CDs, instruction, and steel guitar accessories
www.SteelGuitarShopper.com

The Steel Guitar Forum
148 S. Cloverdale Blvd.
Cloverdale, CA 95425 USA

Click Here to Send a Donation

Email SteelGuitarForum@gmail.com for technical support.


BIAB Styles
Ray Price Shuffles for Band-in-a-Box
by Jim Baron