| Visit Our Catalog at SteelGuitarShopper.com |

Post new topic "the blade"
Goto page 1, 2  Next
Reply to topic
Author Topic:  "the blade"
Joe Krumel

 

From:
Hermitage, Tn.
Post  Posted 22 Nov 2008 5:05 pm    
Reply with quote

What is meant by "the blade" when talking about the emmons guitar? thanks ,Joe Krumel
View user's profile Send private message Send e-mail
chas smith R.I.P.


From:
Encino, CA, USA
Post  Posted 22 Nov 2008 5:10 pm    
Reply with quote

View user's profile Send private message
Sonny Jenkins


From:
Texas Masonic Retirement Center,,,Arlington Tx
Post  Posted 22 Nov 2008 5:23 pm    
Reply with quote

MAYBE 'CAUSE IT CUT'S LIKE A RAZOR,,,,,,,,,,"BLADE"
View user's profile Send private message Send e-mail
Roger Rettig


From:
Naples, FL
Post  Posted 23 Nov 2008 3:04 am    
Reply with quote

Joe

It's the name by which Buddy Emmons' rosewood mica push/pull is known. It doesn't refer to a type of steel - just to that one in particular. I'm not clear about how the nick-name was coined or who coined it.

That word confused me at first, too!

Others know more than I do about the guitar's specifics, but I think its serial # is in the 123X range and that it's a late-'60s guitar. I believe that he still has it.
_________________
Roger Rettig: Emmons D10, B-bender Teles and Martins - and, at last, a Gibson Super 400!
----------------------------------
View user's profile Send private message Send e-mail Visit poster's website
Roger Rettig


From:
Naples, FL
Post  Posted 23 Nov 2008 3:06 am    
Reply with quote

Ooops!
_________________
Roger Rettig: Emmons D10, B-bender Teles and Martins - and, at last, a Gibson Super 400!
----------------------------------


Last edited by Roger Rettig on 23 Nov 2008 11:37 am; edited 1 time in total
View user's profile Send private message Send e-mail Visit poster's website
Danny Bates

 

From:
Fresno, CA. USA
Post  Posted 23 Nov 2008 6:37 am    
Reply with quote

View user's profile Send private message Send e-mail
Jack Dougherty


From:
Spring Hill, Florida, USA
Post  Posted 23 Nov 2008 7:04 am    
Reply with quote

Yes to most of the above. Buddy's Rosewood Mica had (and I guess still has)) a distinctive recording quality that seem to transcend most. A clear bite and responsive tone that was unmistakable. Also used on the Black Album (as I recall) Ernie Renn most likely has a more accurate accounting of the "Blade"

JD

PS: I had the pleasure of playing it in the late eighties. It was all that and a bag of chips. Very Happy
View user's profile Send private message Send e-mail
Dave Diehl

 

From:
Mechanicsville, MD, USA
Post  Posted 23 Nov 2008 10:06 am    
Reply with quote

I don't know if he does all of them but, Buddy gives his guitars names. Hum, I thought everybody knew "the Blade".
View user's profile Send private message Send e-mail
Mark Eaton


From:
Sonoma County in The Great State Of Northern California
Post  Posted 23 Nov 2008 10:14 am    
Reply with quote

Dave Diehl wrote:
I don't know if he does all of them but, Buddy gives his guitars names. Hum, I thought everybody knew "the Blade".


It seems most hardcore steel fans and players are familiar with the name, but we have yet to get the definitive answer in this thread as to why "The Blade."
_________________
Mark
View user's profile Send private message Send e-mail
Jack Dougherty


From:
Spring Hill, Florida, USA
Post  Posted 23 Nov 2008 12:37 pm    
Reply with quote

I was perhaps too defuse in my answer. The bite I referred to was the knife cutting recording edge of this particular guitar. Hence.....
View user's profile Send private message Send e-mail
Bill Fisher

 

From:
Oklahoma, USA
Post  Posted 23 Nov 2008 1:44 pm    
Reply with quote

I imagine it's the "cut-right-through-tone" that this refers to.

Bill
View user's profile Send private message Send e-mail
Mark Eaton


From:
Sonoma County in The Great State Of Northern California
Post  Posted 23 Nov 2008 1:51 pm    
Reply with quote

Sure - all of the answers here make legitimate sense - but we can imagine all we want.

It seems Buddy hasn't been around here in quite awhile, maybe he'll chime in and give us the story behind the legend.
_________________
Mark
View user's profile Send private message Send e-mail
Larry Bell


From:
Englewood, Florida
Post  Posted 23 Nov 2008 2:26 pm    
Reply with quote

A tone that will "blister a beagle's ear at 50 paces" was another less complimentary description I've heard Buddy use. When Emmons push-pulls were at the height of their popularity (70s) a much more top-end-heavy tone was in vogue. If you listen to Buddy's tone in more recent years you'll notice a much 'ballsier' tone.
_________________
Larry Bell - email: larry@larrybell.org - gigs - Home Page
My CD's: 'I've Got Friends in COLD Places' - 'Pedal Steel Guitar'
2021 Rittenberry S/D-12 8x7, 1976 Emmons S/D-12 7x6, 1969 Emmons S/D-12 6x6, 1971 Dobro, Quilter ToneBlock 202 TT-12
View user's profile Send private message Send e-mail Visit poster's website
Damir Besic


From:
Nashville,TN.
Post  Posted 23 Nov 2008 2:46 pm    
Reply with quote

when I got my first pp from Bobbe I took it home ,set it up in my living room and ...didn`t like the tone..it was way too bright and clear, sharp...like a blade yes....I disliked the tone so much I went back to Bobbe and complained to him about it, "it was not nice and mellow like a LDG Bud I had, it was too sharp" I said.....but I kept it to give it a one more chance...I took the guitar down town to the Tootssies for the gig and 20 seconds in the first song I knew what was the fass all about...that guitar had cut thru the whole guacamole of sounds on that stage like a hot knife thru the butter....that nite I became a p/p man....no guitar I ever owned had a tone so sharp and clear as the p/p guitars...

if you are playing steel guitar conventions or some easy listening steel instrumentals-hotel gig, you will have no problem with any of the moder steel guitars..but...BUT...if you are in the band situation where you need to fight with bass,drums,lead guitars etc....p/p steel will do the job, I guarantee 100%....I had MSA which sounded beautiful in the livingroom but on the stage didn`t have enough "balls" to cut thru the band and I even had a hard time to hear the guitar myself, how some people would say "it just couldn`t cut it"....


Db
_________________
www.steelguitarsonline.com
View user's profile Send private message Send e-mail
Russ Tkac


Post  Posted 23 Nov 2008 3:40 pm    
Reply with quote

I call my PP "The Spade" because when I play it it sounds like dirt. Winking

Here is an old thread about "The Blade"

http://steelguitarforum.com/Forum5/HTML/008574.html
View user's profile Send private message Send e-mail
Alan Brookes


From:
Brummy living in Southern California
Post  Posted 23 Nov 2008 3:52 pm    
Reply with quote

Russ Tkac wrote:
I call my PP "The Spade" because when I play it it sounds like dirt....

On that basis I should call mine "The Latrine". Laughing
View user's profile Send private message Send e-mail
Mark Eaton


From:
Sonoma County in The Great State Of Northern California
Post  Posted 23 Nov 2008 4:26 pm    
Reply with quote

Quote:
Roger, the Black album guitar (the Blade) and the guitar in the above picture are the same and it has a rosewood Formica finish. I’ve had it for thirty six years and it still honks. Time took its toll on the decal so in one of my weaker moments I mounted the plastic plate on it. I have since replaced it with a small white sticker that has a drawing of a razor blade.


Russ, thank you for digging up that thread. The quote above is from Buddy, and the story of why the razor blade sticker - so did the guitar become The Blade after he applied the sticker, or was it known by that name before?

And his only description of the sound of the guitar in that thread is that "it still honks."

If Buddy had applied a Ducks Unlimited sticker of a goose in flight instead of a razor blade, would this guitar be known as The Honker? Winking
_________________
Mark
View user's profile Send private message Send e-mail
Roger Rettig


From:
Naples, FL
Post  Posted 23 Nov 2008 5:50 pm    
Reply with quote

I wrote:

"That word confused me at first, too!

Others know more than I do about the guitar's specifics, but I think its serial # is in the 123X range and that it's a late-'60s guitar. I believe that he still has it."

See? That thread that Russ kindly pointed us back to dates from when I was still 'confused'....

I still got the number wrong, though!!!
======================================================

Damir raises an interesting point. I tend to favour a warmer sound, and I sometimes wonder if it's the right direction to take. I recently recorded a steel soundtrack for a theatre show and, when we went to use the free tickets they'd given me, I was horrified by how little 'edge' my tone had. It worked fine on ballads, but the rockier stuff was almost lost. Some of this could have been the mix, but I bet it was mostly me!

I've always been a bit put off by that p/p sharpness, but I'm inclined to give it another try one of these days.
_________________
Roger Rettig: Emmons D10, B-bender Teles and Martins - and, at last, a Gibson Super 400!
----------------------------------
View user's profile Send private message Send e-mail Visit poster's website
Dave Diehl

 

From:
Mechanicsville, MD, USA
Post  Posted 24 Nov 2008 9:16 am    
Reply with quote

As a follow on to the question "why did he name it the Blade", why did he name his LeGrande III's the Bart Brothers... Brown and Black?
View user's profile Send private message Send e-mail
Ernie Renn


From:
Brainerd, Minnesota USA
Post  Posted 24 Nov 2008 10:21 am    
Reply with quote

I asked where the name came from. Buddy's reply was...

"The name is a result of a lot of positive comments I used to receive regarding the recorded sound of the guitar. So, "The Blade" comes from the guitar's ability to cut through a track and still deliver a quality sound. I'm guessing that the name came about sometime in the late 70's."
_________________
My best,
Ernie

www.BuddyEmmons.com
View user's profile Send private message Send e-mail Visit poster's website
Nick Reed


From:
Russellville, KY USA
Post  Posted 24 Nov 2008 10:27 pm    
Reply with quote

I have names for all of my guitars. I call my '71 "The Blade"
View user's profile Send private message Send e-mail
John Bechtel


From:
Nashville, Tennessee, R.I.P.
Post  Posted 24 Nov 2008 10:34 pm    
Reply with quote

Nick; WHY?
_________________
<marquee> Go~Daddy~Go, (No), Go, It's your Break Time</marquee> L8R, jb
My T-10 Remington Steelmaster
View user's profile Send private message Send e-mail
Nick Reed


From:
Russellville, KY USA
Post  Posted 25 Nov 2008 4:42 am    
Reply with quote

Cause it's RAZOR SHARP! Next question please Very Happy
View user's profile Send private message Send e-mail
Russ Tkac


Post  Posted 25 Nov 2008 6:46 am    
Reply with quote

Nick,

How do you post while you're dreaming? Laughing
View user's profile Send private message Send e-mail
Roger Rettig


From:
Naples, FL
Post  Posted 25 Nov 2008 11:40 am    
Reply with quote

He's waiting for the meds to kick in.... Very Happy
_________________
Roger Rettig: Emmons D10, B-bender Teles and Martins - and, at last, a Gibson Super 400!
----------------------------------
View user's profile Send private message Send e-mail Visit poster's website

All times are GMT - 8 Hours
Jump to:  
Please review our Forum Rules and Policies
Our Online Catalog
Strings, CDs, instruction, and steel guitar accessories
www.SteelGuitarShopper.com

The Steel Guitar Forum
148 S. Cloverdale Blvd.
Cloverdale, CA 95425 USA

Click Here to Send a Donation

Email SteelGuitarForum@gmail.com for technical support.


BIAB Styles
Ray Price Shuffles for Band-in-a-Box
by Jim Baron