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Topic: Emmons PP or the new Emmons |
Curtis G. Greene
From:
Eure, North Carolina
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Posted 22 Sep 2008 7:48 pm |
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| AT THE RECORING STUIDO,WHICH ONE DOES THE ARTIST ASK FOR |
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Paddy Long
From:
Christchurch, New Zealand
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Posted 22 Sep 2008 8:46 pm
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It's been my experience that the artist wouldn't know what either were !! I've done a lot of session work over the past 30 years and never had an artist ask for a particular brand of PSG yet !!! They get my Zum Hybrid whether they like it or not  so they're spoiled before they start anyway. A producer might know the difference but I haven't struck many. |
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Clyde Mattocks
From:
Kinston, North Carolina, USA
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Posted 22 Sep 2008 8:57 pm
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When I had both, one engineer always asked that I bring the LeGrande. He didn't like the bite of the p/p. None of the other dozen or so studios I worked ever indicated a preference.
_________________
LeGrande II, Nash. 112, Fender Twin Tone Master, Session 400, Harlow Dobro, R.Q.Jones Dobro |
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Erv Niehaus
From:
Litchfield, MN, USA
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Posted 23 Sep 2008 7:25 am
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How about a NEW P/P Emmons?
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Bobby Boggs
From:
Upstate SC.
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Posted 23 Sep 2008 5:37 pm
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Sonny Garrish has had pretty good luck using his.  |
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