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Post new topic Line out on Nashville 112??
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Author Topic:  Line out on Nashville 112??
Ken Metcalf


From:
San Antonio Texas USA
Post  Posted 31 May 2008 4:46 am    
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Do any of you guys use the line out on a 112...
Does it sound ok to you..
Thanks
Ken
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Little Walter PF-89.
Bunch of stomp boxes
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Bo Borland


From:
South Jersey -
Post  Posted 31 May 2008 5:43 am    
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Are you referring to the XLR output>? I tried sending it to the board but the signal seemed too hot so I went back to and SM57.
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Jack Stoner


From:
Kansas City, MO
Post  Posted 31 May 2008 5:51 am    
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I've used the XLR out on several shows where they miked everything and it worked fine (and the sound guys even knew what the steel should sound like). These were "big venues" where they had two boards - a main out front and a monitor board on the side of the stage with sound people on both boards.

I've also used to to record with on my Fostex VF160 without problems.
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Howard Tate


From:
Leesville, Louisiana, USA, R.I.P.
Post  Posted 31 May 2008 7:38 am    
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I've used mine the same way as Jack, I think it works fine.
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Jonathan Cullifer

 

From:
Gallatin, TN
Post  Posted 31 May 2008 8:12 am    
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I've used it once or twice. Normally I just make people mic the amps. But if you're going to use the XLR line out (or the preamp out), it's important to remember that they are line level outputs and need to be connected to the line in on the board. If you connect them to the mic inputs (the normal XLR inputs on most boards), you'll have noise or distortion issues.
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robert kramer

 

From:
Nashville TN
Post  Posted 31 May 2008 9:32 am    
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I've been using the XLR out on the NV 112 to record direct to the board. It sounds good. With the 112 there is the option of monitoring off the 112 cabinet (in conjunction with the studio's playback speakers) or turning off the 112's post gain and using headphones. There is also a way to patch in effects so you can hear echo/reverb in the 112's speaker while the XLR sends a dry signal to the board. I usually patch a reverb box in the 112 inserts and turn it up just enough to be able to play. All in all, the NV 112 is a useful little amp.
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Bo Borland


From:
South Jersey -
Post  Posted 31 May 2008 10:52 am    
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Jonathan, I connected mine to a mic input which may account for the way hot signal. Even padded down to the minimum it was still too hot. I have to look thru the mixers manual to see where they want a line level plugged in.
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Jonathan Cullifer

 

From:
Gallatin, TN
Post  Posted 31 May 2008 2:23 pm    
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Most mixers, even with the gain all the way down, still boost the mic signal by 5-10 db. Using an XLR to TRS adapter and plugging into the line in will probably solve the problem.
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Ken Metcalf


From:
San Antonio Texas USA
Post  Posted 1 Jun 2008 7:10 am    
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Thanks you guys
Ken
_________________
MSA 12 String E9th/B6th Universal.
Little Walter PF-89.
Bunch of stomp boxes
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Chris LeDrew


From:
Canada
Post  Posted 1 Jun 2008 10:15 am    
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I usually tell the sound tech to pad the channel if I use the XLR out on my 112. It is really hot, but sounds pretty good when tamed down. Sound techs love DI'd instruments. The less mics on stage, the cleaner the sound out front.
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Jackson Steel Guitars
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