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Topic: Orange Blossom Special 'DELAY PEDAL SETTINGS' David Hartley |
David Hartley
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Posted 6 Apr 2008 5:29 am
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Hi Rick Nicklas, you asked me for this so its for you, (and anyone else who may find it interesting)...
PS... It's the only way I'll ever get close to Doug Jernigans speed pickin' !!
PPS.. DON'T over-use this effect, once a night in one lead break is enough..
http://www.youtube.com/watch?v=VxOYom78IHA
David Hartley |
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Peter Dollard
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Posted 6 Apr 2008 8:16 am Jorgensons Solo On "The Price I Pay"
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David:
As often happens when one is shown one thing it becomes apparent that it applies to other songs. For years I wondered what settings the Desert Rose guitarist, John Jorgenson, used to get the effect he did on the duet with Emmy Lou Harris. I now know. And by the way delay or not you are a very well accomplished player.....Peter |
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Jim Sliff
From: Lawndale California, USA
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Posted 6 Apr 2008 8:54 am
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Les Paul was the first one I heard do that on some 50's recordings; Albert Lee was the ONLY one I ever heard who could use it more than once a night and not make it sound like a gimmick; Ricky Skaggs' version of Albert's "Country Boy", using both delay and a speeded-up, double-time guitar part made it sound like nothing BUT a gimmick.
Like any other effect, if you can use it and it feels like part of the music it's great; if it sounds like an effect just for its' own sake it's being misused.
David makes it fit perfectly.
FWIW for most players trying to learn how, a 300ms delay, with the "bounce" exactly the same volume as the original note and NO repeats will get you there. It takes a while to learn - some players can do it instinctively, while for others it's a long learning curve. It's tough thing to pull off live, as the delay setting has to be precisely set to the song, and if the band speeds up or slows down you are D-E-A-D... _________________ No chops, but great tone
1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
1959 Fender 400 9+2 B6;1960's Fender 800 3+3+2; 1948 Fender Dual-8 Professional |
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Donny Hinson
From: Glen Burnie, Md. U.S.A.
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Posted 6 Apr 2008 11:27 am
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Quote: |
PS... It's the only way I'll ever get close to Doug Jernigans speed pickin' !! |
I'll share one thing I've learned about technique - doing something one way all the time sorta guarantees you'll never learn to do it any other way. |
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Andy Sandoval
From: Bakersfield, California, USA
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Posted 6 Apr 2008 12:11 pm
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I like it. Sounds great David. |
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Rick Nicklas
From: Verona, Mo. (deceased)
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Posted 6 Apr 2008 4:41 pm
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Hey David. I just got back from our Kansas Steel Guitar Jam/Meeting. I appreciate you explaining this effect and how to use it. It is definately the best birthday present I have ever received. I will have to watch this real slow and just hope that by practice it may click in. I use a different delay unit but hope I can achieve something similar.
Thanks so much David. |
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Don McClellan
From: California/Thailand
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Posted 6 Apr 2008 5:35 pm
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David, You are awesome. I love all of your videos. Don |
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David Hartley
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Posted 6 Apr 2008 11:33 pm DON
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Thanks, look at the drummer one again!,
SO...Has anyone had a go at this yet?, there's been lots of lookers and not many comments..
It's good fun, if not over-used, and if you get it right..
David Hartley |
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Chris Schlotzhauer
From: Colleyville, Tx. USA
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Posted 7 Apr 2008 8:40 am
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That's cool David. Thanks for posting. I wonder if anyone has had success with the delay on a PODxt. I would like to hear about their settings. |
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David Hartley
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Posted 7 Apr 2008 9:26 am POD XT
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Can some one show me what this is? |
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Bill Ford
From: Graniteville SC Aiken
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Posted 7 Apr 2008 2:36 pm
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Another in the "neat little gadgets" preamp/effects unit. It has 48 different spaces(places to put different settings)limited only to your imagination.Mfg. by Line6.
_________________ Bill Ford S12 CLR, S12 Lamar keyless, Misc amps&toys Sharp Covers
Steeling for Jesus now!!! |
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