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Post new topic New Dustpans for HSGA Convention
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Author Topic:  New Dustpans for HSGA Convention
Rick Aiello


From:
Berryville, VA USA
Post  Posted 6 Oct 2007 3:13 pm    
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Solid, sand cast A356 aluminum alloy ...
Potbelly pickups ...
Grover tuning machines ...
Concentric potentiometers (250K vol/500K tone/0.022 mfd cap)

I ended up going with polished aluminum (after much deliberation) and black wrinkle powder coated Potbellys.

The back plates are extruded aluminum with midnight blue wrinkle powder coat ...

The 22.5" scale Dustpan has the strongest pickup I've ever build ... it's 2" wide and I call it the "Sumo Belly" ... Laughing Laughing Laughing

These will be on display in the Dustroom at the HSGA Convention in Joliet...

Come on over and have a-go at 'em ... Mr. Green
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Gary Lynch

 

From:
Creston, California, USA
Post  Posted 6 Oct 2007 3:31 pm    
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More craftsmanship and detail than any vintage Ric. And how about those pickups! Whoa! These are priceless. Exclamation Exclamation
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Matt Johnson

 

From:
California, USA
Post  Posted 6 Oct 2007 4:26 pm    
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Those are the best looking steels I've ever seen.
Excellent job!
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Jason Dumont

 

From:
Bristol, Connecticut, USA
Post  Posted 6 Oct 2007 4:49 pm    
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Rick you are a bad, bad, man!
I LOVE the polished finish! The fret work and inlaid position markers are a thing of freakin beauty.
In my long standing tradition of stating the obvious....
Fine job!
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Andy Sandoval


From:
Bakersfield, California, USA
Post  Posted 6 Oct 2007 5:28 pm    
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Simpley beautiful Rick! how does the tone-volume control work? is the tone on the outer and volume inner? and if so is it easy to get the "boowah" effect with it?
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Rick Alexander


From:
Florida, USA, R.I.P.
Post  Posted 6 Oct 2007 5:54 pm    
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Outstanding design and workmanship Rick!
Can't wait to see them on the Burrows Stand . .
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BIG STEEL
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Tom Pettingill


From:
California, USA (deceased)
Post  Posted 6 Oct 2007 6:20 pm    
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Wow ... those are beauties Very Happy
Nice job Rick !!
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Some misc pics of my hand crafted steels
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Danny James

 

From:
Summerfield Florida USA
Post  Posted 6 Oct 2007 7:33 pm    
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Yep, your a perrrrrfectionist alright! Cool Very Happy

Anyone should be proud to own one of those. Smile
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Gerald Ross


From:
Ann Arbor, Michigan, USA
Post  Posted 6 Oct 2007 10:13 pm    
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Cool Cool

I get to try these out in a couple of days.
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Gerald Ross
'Northwest Ann Arbor, Michigan's King Of The Hawaiian Steel Guitar'

A UkeTone Recording Artist


CEO, CIO, CFO - UkeTone Records
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Don Kona Woods


From:
Hawaiian Kama'aina
Post  Posted 6 Oct 2007 10:18 pm    
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Can't wait to see them in person at Joliet.

Those are gorgeous babies. Cool Cool

Aloha, Smile
Don
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Derrick Mau

 

From:
Honolulu, Hawaii, USA
Post  Posted 6 Oct 2007 11:10 pm    
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Excellent work Rick!!
Your steel's get better and better with each one you make.

Aloha Very Happy
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Paul Warnik

 

From:
Illinois,USA
Post  Posted 6 Oct 2007 11:44 pm    
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Rick-Very nice workmanship-Your website is a lesson in the old art of poured aluminum sandcasting-It must take alot of work to cut the fret slots and set the individual fretwires-I think that makes the frets more visable to the player than the original frypan design-Can you tell me more about the A356 aluminum alloy that you use? I am familiar with AlMag35 which was used in the original Bigsby castings-that being alloy of 35% magnesium with the aluminum-Is the A356 all newly produced material or does it have any percentage of recycled content? Also I am glad to see that you are now using #38 wire on the pickups like old makers such as Bigsby and Rickenbacker used-I also see that you are using a 0.022 mfd cap for the tone control-most of the older guitars used an 0.050 tone cap which are no longer available and the closest usually to be found these days is 0.047-so I guess what I am asking is how did you settle on the 0.022 cap? Thanks-PW
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Fred Kinbom


From:
Berlin, Germany, via Stockholm, Sweden.
Post  Posted 7 Oct 2007 1:14 am    
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Fantastic Rick!!!

I love the backplates too.

Can't you please send one of those on a "European tour"? Wink

Fred
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www.fredrikkinbom.com - New lap steel album out now - listen here: fredrikkinbom.bandcamp.com/album/songs-for-lap-steel-and-harmonium
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Terry VunCannon


From:
Greensboro, North Carolina, USA
Post  Posted 7 Oct 2007 4:45 am    
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Rick...Those are beautiful!!! Keep up the GREAT work...Terry V.
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Rick Aiello


From:
Berryville, VA USA
Post  Posted 7 Oct 2007 5:48 am    
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Thanks for all the kind words y'all ... Mr. Green

Andy ... I have the "top" knob set for volume ... and the "bottom" knob set for tone ...

Paul ...

Quote:

Can you tell me more about the A356 aluminum alloy that you use? I am familiar with AlMag35 which was used in the original Bigsby castings-that being alloy of 35% magnesium with the aluminum-Is the A356 all newly produced material or does it have any percentage of recycled content?


A356 aluminum alloy is the "premier" sand casting alloy ...

It is essentially 93% aluminum and 7% silicon (and some trace elements that don't add up to 1%).

The reason it's usually the first choice among foundry men who sand cast ...

1) It's silicon content ... which allows for a smooth flow thru sprues, gates, etc.

2) It is T6 heat treatable ... giving it a strength similar to that of mild steel ... thus it combines exceptional mechanical strength, fatigue strength and machinability.

Thats for things like cylinder heads, etc.

My main reason for choosing this particular alloy ... aside from it being recommended by virtually every foundry man I spoke with ... stems form my personal knowledge of crystals.

Crystalline materials are much more resonant than amorphous materials.

Being 93% aluminum ... and using gravity/low pressure based sand casting ...

The aluminum is free to form one huge crystal (well, almost) ... free of most of the "stresses" associated with die casting or an extruded aluminum product.

Less "stress" = Truer crystal formation = Better resonance = More "musical".

As I've said many times here ... "better tools via material science".

Quote:
Also I am glad to see that you are now using #38 wire on the pickups like old makers such as Bigsby and Rickenbacker used


Something really special about # 38 (in my opinion). I do all my "Potbellys" and Ricky rewinds (for friends only) ... with it.

Quote:
I also see that you are using a 0.022 mfd cap for the tone control-most of the older guitars used an 0.050 tone cap which are no longer available and the closest usually to be found these days is 0.047-so I guess what I am asking is how did you settle on the 0.022 ca


My "Potbelly" pickup breaks almost every "Paradigm" in the pickup world ...

The main one being ... copious amounts of steel in the construction of the unit.

Most pickup makers won't even use metallic base plates or covers ... worrying about the production of "Eddy Currents".

I "embrace" eddy currents ... Laughing Laughing Laughing ...

In fact the only "Non Metal" components in the entire unit ... is the forbon top (needed for lead attachment) ... and the insulation on the magnet wire. Laughing Laughing Laughing

I get away with it because of the tremendous magnetic field my units produce ... therefore ...

My pot/cap choice ... was determined by trying every conceivable combination ... then picking the one that best suits the huge magnetic field of the "Belly" and the solid crystalline body of the Dustpan.

The combo of a 500 K pot and a 0.022 mfd cap ... gave it the nicest overall roll off pattern.

The whole "package" (steel & pup) ... is a "study" in modern material science.

I love the "old sound" ... that goes without saying ...

But there is no doubt in my mind ... the key to the sound that I've strived for ... has "little to nothing" to do with reproducing vintage units.

My excursion into that "arena" ... left a horrible taste in my mouth ...

So much so ... that I need daily infusions of Sailor Jerry ... to get the taste out.

And Paul, I expect to do my best to eliminate that foul taste in Joliet ... and hope you will join me for a few Mr. Green Mr. Green Mr. Green
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Gary Lynch

 

From:
Creston, California, USA
Post  Posted 7 Oct 2007 6:02 am    
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Paul Warnik

I asked the same question regarding tone caps. I asked many pros. And I am sure Rick will answer your question more eloquently but the answer I got was; 'It makes no difference in sound' from the guitar itself. I know the web sites try to sell the paper in oil tone caps and vintage this and vintage that but according to those that build the guitars, tone caps make the difference in amplifiers and high powered items but not in a guitar where there is little running thru it.

If someone can prove otherwise, please present your case and Rick can present his. I would enjoy learning more. But my ears hear zero difference.

As a layman I only know I have purchased $25 vintage style tone caps and inexpensive $2 tone caps when replacing them on old Ric's and can hear absolutely no difference coming out of the guitar itself. I have tried both .022 and .047. There is a lot of hype about this on web sites.
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Mitch Druckman


From:
Arizona, USA
Post  Posted 7 Oct 2007 8:49 am    
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Rick,
Thanks for continuing to post your work on the forum. Your contribution to the steel guitar community has been consistantly inspiring. Keep up the good work.
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Harry Dietrich


From:
Robesonia, Pennsylvania, USA, R.I.P.
Post  Posted 7 Oct 2007 9:32 am    
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In the imortal words of Mister Crabb:
Quote:
"Fine job me boy."


Too bad I'm just a poor old retiree living on a fixed income, or I'd buy one... or two.

All kidding aside Rick...another couple of exquisite masterpieces.

TRULY THE AGE OF THE CRAFTSMAN HAS NOT YET PASSED!

Whoa! Very Happy Mr. Green


Last edited by Harry Dietrich on 7 Oct 2007 3:27 pm; edited 1 time in total
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Don Kona Woods


From:
Hawaiian Kama'aina
Post  Posted 7 Oct 2007 3:01 pm    
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Quote:
It is T6 heat treatable ... giving
it a strength similar to that of mild
steel
Shocked

That must mean that if I drop the Dustpan
it will not break but everything that gets in its way will. Oh Well Oh Well

Aloha, Smile
Don
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Rick Aiello


From:
Berryville, VA USA
Post  Posted 7 Oct 2007 5:17 pm    
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Heat treating isn't really called for for this application ..

But I still wouldn't want to "catch one upside da head" ... Laughing Laughing Laughing
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Brad Bechtel


From:
San Francisco, CA
Post  Posted 7 Oct 2007 6:55 pm    
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Those are works of art, Rick! I envy the person who ends up playing them.
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Brad’s Page of Steel
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Paul Warnik

 

From:
Illinois,USA
Post  Posted 7 Oct 2007 8:46 pm    
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Rick A-Thank you for your detailed and informative explanation-It is clear that you are quite knowledgeable in the "science of sound" as it pertains to the instruments that you make-See you in a few days-have a safe trip to my "Land of Lincoln" home state-Then we will toast to all good things-dustpans,HSGA,#38 wire,and steel guitar playing friends Very Happy
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seldomfed


From:
Colorado
Post  Posted 8 Oct 2007 10:43 am    
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OH MY Shocked

Save me a place in line - these are lovely to look at, and I'm sure they sound amazing.

can I trade in my #3 ? Laughing

chris
_________________
Chris Kennison
Rhythm Cats - steel, guitar, banjo, dobro
Gold Canyon, AZ
www.rhythmcatsshow.com
www.seldomfed.com
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Rick Aiello


From:
Berryville, VA USA
Post  Posted 9 Oct 2007 4:06 am    
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Thanks again, y'all ...

We'll (these rascals and I) will be arriving in Joliet ... midday tomorrow (Wed) ...

See you there ... Mr. Green
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Andy Volk


From:
Boston, MA
Post  Posted 9 Oct 2007 4:49 am    
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Rick, they just keep getting better with every pour season.

I didn't know there was a category called frypan envy 'til now.
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